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  1. The city of Venice in Italy has played an important role in the development of the music of Italy.The Venetian state—i.e. the medieval and Early Modern Maritime Republic of Venice—was often popularly called the "Republic of Music", and an anonymous Frenchman of the 17th century is said to have remarked that "In every home, someone is playing a musical instrument or singing.

  2. In music history, the Venetian School was the body and work of composers working in Venice from about 1550 to around 1610, many working in the Venetian polychoral style. The Venetian polychoral compositions of the late sixteenth century were among the most famous musical works in Europe, and their influence on musical practice in other ...

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  4. Pomone (1671) by Robert Cambert, on a pastoral libretto by Pierre Perrin involving ballet, spectacle, and machinery, is commonly called the first French opera. Its premiere almost certainly inaugurated the Académie Royale de Musique (now the Paris Opéra) on March 3, 1671.

  5. Venetian is first attested in writing in the 13th century. The language enjoyed substantial prestige in the days of the Republic of Venice, when it attained the status of a lingua franca in the Mediterranean Sea. Notable Venetian-language authors include the playwrights Ruzante (1502–1542), Carlo Goldoni (1707–1793) and Carlo Gozzi (1720

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  6. In music history, the Venetian school is a term used to describe the composers working in Venice from about 1550 to around 1610. It also describes the music they produced.

  7. In 1501, a Venetian printer named Ottaviano Petrucci published the first significant collection of polyphonic music, the Harmonice Musices Odhecaton A. Petrucci’s success led eventually to music printing in France, Germany, England, and elsewhere.

  8. Mar 27, 2024 · Claudio Monteverdi (baptized May 15, 1567, Cremona, Duchy of Milan [Italy]—died November 29, 1643, Venice) was an Italian composer in the late Renaissance, the most important developer of the then new genre, the opera. He also did much to bring a “modern” secular spirit into church music. Early career

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