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A summary of Act III: Scene i in William Shakespeare's The Tempest. Learn exactly what happened in this chapter, scene, or section of The Tempest and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.
- No Fear Translation
No Fear Translation - The Tempest Act III: Scene i Summary &...
- Themes
The Illusion of Justice. The Tempest tells a fairly...
- Act Iv: Scene I
Summary: Act IV, scene i. Prospero gives his blessing to...
- Act Iii: Scene II
Analysis: Act III, scene ii. As we have seen, one of the...
- Important Quotes Explained
Important Quotes Explained - The Tempest Act III: Scene i...
- Act Iii: Scene I
Act Iii: Scene I - The Tempest Act III: Scene i Summary &...
- No Fear Translation
Antonio and Sebastian decide to make their murderous move later that night, but their conspiracy is interrupted by Prospero sending in a huge banquet via his spirits, with he himself there, but invisible.
Analysis. Alonso, Gonzalo, Antonio, and Sebastian enter. They are exhausted after having wandered the island in search of Ferdinand, whom Alonso sadly gives up for dead. Antonio and Sebastian secretly hope that Alonso's sadness and tiredness will give them the chance to murder him that evening.
Antonio, Sebastian, and Alonso are powerless against Prospero's magic. Their plotting against him — and Antonio and Sebastian's subsequent plotting against Alonso — is ineffectual in the face of Prospero's greater power.
Thunder and lightning explode, and Ariel appears in the form of a harpy—his body that of a large bird, his head an angry woman’s. He claps his wings on the banquet table and the food disappears. Ariel condemns Alonso, Sebastian, and Antonio as “three men of sin” (3.3.53).
Need help with Act 3, scene 1 in William Shakespeare's The Tempest? Check out our revolutionary side-by-side summary and analysis.
Nov 18, 2021 · Act three scene three of “The Tempest” is strewn with the magical tricks of Prospero who presents Ariel as a harpy. Alonso, Sebastian and Antonio are all dog-tired after prolonged wandering through “Forth-rights and meanders!”.
