Oct 24, 2014 · Movie Review Mom Won’t Find Us; She Disappeared or Something Thomas Jane and Shailene Woodley in “White Bird in a Blizzard,” adapted from a 1999 novel by Laura Kasischke.
Oct 23, 2014 · Oct 23, 2014 at 2:00 AM Thomas Jane and Shailene Woodley in ‘White Bird in a Blizzard’ (Magnolia Pictures) Having carried the mediocre smash "Divergent," Shailene Woodley now uplifts another...
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Oct 24, 2014 · Which is what makes “White Bird in a Blizzard” a true oddity in his filmography in that it’s one of the few times, arguably the only time, that he’s made a film that’s dull. Typically, when Araki misses the mark, he misses wildly and with fascinating aplomb.
Review: Not much to see in ‘White Bird in a Blizzard’ Shailene Woodley, left, Gabourey Sidibe and Mark Indelicato in the movie “White Bird in a Blizzard.” (Magnolia Pictures)
That's no less true with his latest film "White Bird in a Blizzard" which is actually equal parts evocative and provocative. So, as much as sex is a part of this movie and these characters' lives,...
- mystery and thriller, drama
Oct 25, 2014 · Recommended for fans of subversive mystery-thrillers, “White Bird in a Blizzard” opens this Friday, Oct. 24, in New York at the Landmark Sunshine. ‘White Bird in a Blizzard’ Director ...
On Rotten Tomatoes, a review aggregator, the film has a score of 54% based on 90 reviews, with an average rating of 5.62/10. The critical consensus states: "Part suburban thriller, part sexual awakening drama – and fully convincing as neither – White Bird in a Blizzard rests a little too heavily on Shailene Woodley's typically superlative ...
Sep 25, 2014 · Directed by Gregg Araki. With Shailene Woodley, Eva Green, Christopher Meloni, Angela Bassett. In 1988, a teenage girl's life is thrown into chaos when her mother disappears.
Part of the problem with White Bird In A Blizzard is that the film thinks its audience is just as dense as Kat.Playing keep-away with the revelation of what happened to Kat’s mother (and related activity) is pointless, as most viewers will tumble toward it almost immediately, and keeping us in the dark largely negates what the film is trying to say about Kat’s willful obliviousness.
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