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    • When did techno music become popular in Europe?

      • After the success of house music in a number of European countries, techno grew in popularity in the UK, Germany, Belgium and the Netherlands. In Europe regional variants quickly evolved and by the early 1990s techno subgenres such as acid, hardcore, ambient, and dub techno had developed.
  1. Dec 17, 2018 · A Paris research institute responsible for some of the most important discoveries in the computer age of electronic music that would follow on from these 50’s pioneers. At least one of Ussachevsky’s trips to Europe was funded by the Guggenheim institute.

  2. One of the oldest electronic music festivals in Germany, artists such as Yello, Spoon, Sven Väth, Moby and Marusha have performed. Although they were pioneers as leaders of techno music in Central Europe in their early days, in recent years Mayday has opened up to new sounds, from hardstyle to house, trance and EDM.

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  4. Following the work of Tara Rodgers, Sally MacArthur and others, I consider some new media representations of electronic music’s female ‘pioneers’, situate them in relation to both feminist musicology and media studies, and propose readings from digital humanities that might be used to examine and critique them.

    • Frances Morgan
    • 5
    • 2017
  5. The history of electronic music owes much to Karlheinz Stockhausen (1928-2007). Stockhausen was a German Avante Garde composer and a pioneering figurehead in electronic music from the 1950's onwards, influencing a movement that would eventually have a powerful impact upon names such as Kraftwerk, Tangerine Dream, Brain Eno, Cabaret Voltaire ...

  6. en.wikipedia.org › wiki › TechnoTechno - Wikipedia

    Techno is a genre of electronic dance music (EDM) that is predominantly characterized by a repetitive and hard four on the floor beat which is generally produced for use in a continuous DJ set. The central rhythm is often in common time (4/4), while the tempo typically varies between 120 and 150 beats per minute (bpm).

  7. some participants.4 Having been subjected to the constraints of musical and artistic activ-ity under Juan Domingo Perón s dictatorship in Argentina, Kagel might have looked forward to artistic freedom in Europe. Instead of the political control of music and art, Kagel now faced politics among European composers that he regarded as laughable.