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  1. Electronic dance music ( EDM ), also known as dance music, club music, or simply dance, is a broad range of percussive electronic music genres made largely for nightclubs, raves, and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another.

  2. One of the oldest electronic music festivals in Germany, artists such as Yello, Spoon, Sven Väth, Moby and Marusha have performed. Although they were pioneers as leaders of techno music in Central Europe in their early days, in recent years Mayday has opened up to new sounds, from hardstyle to house, trance and EDM.

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  4. Following the work of Tara Rodgers, Sally MacArthur and others, I consider some new media representations of electronic music’s female ‘pioneers’, situate them in relation to both feminist musicology and media studies, and propose readings from digital humanities that might be used to examine and critique them.

    • Frances Morgan
    • 5
    • 2017
  5. In the 1970s, electronic music began to have a significant influence on popular music, with the adoption of polyphonic synthesizers, electronic drums, drum machines and turntables, through the emergence of genres such as disco, krautrock, new wave, synth-pop, hip hop and EDM. In the 1980s, electronic music became more dominant in popular music, with a greater reliance on synthesizers and the ...

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    Techno is a form of electronic dance music that was developed in Detroit, Michigan, during the mid to late 1980s. Many styles of techno now exist, but Detroit techno, a genre in its own right, is seen as the foundation upon which many other subgenres have been built. The initial take on techno arose from the melding of various African American styles such as Chicago house, funk, electro, and electric jazz with Eurocentric synthesizer-based music. Added to this was an interest in futuristic and fictional themes that were relevant to life in American late capitalist society: most particularly the novel Future Shock by Alvin Toffler. Techno music pioneer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word "techno" to describe the musical style he helped to create. Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, suc...

    The template for a new style of dance music(that by the mid to late 1980's was being referred to as techno) was primarily developed by four individuals, Juan Atkins, Kevin Saunderson, Derrick May (the so called "Belleville Three"), and Eddie Fowlkes, all of whom attended school together at Belleville High, near Detroit, Michigan. Of the four individuals responsible for establishing techno as a genre in its own right, it is Juan Atkins who is recognized as the originator; indeed in 1995 American music technology publication Keyboard Magazine honored Atkins as one of "12 Who Count" in the history of keyboard music (this is remarkable considering Detroit techno was still relatively unknown in the United States at that time despite its notoriety in Europe).

    The original techno sound drew heavily from its funk and soul music roots to create characteristically intense grooves and percussive basslines. Early pioneers of the genre melded the beat-centric styles of their Motown predecessors with the music technology of the time. In merging the sensibilities of soul music, funk, house music, and electro, with a European synth-pop aesthetic, the early producers pushed dance musicinto previously unexplored territory. The resulting style came to exert an influence on widely differing genres of electronic music yet it also managed to maintain its identity as a genre in its own right; one which is commonly referred to as "Detroit techno". The sound was refined even further, and given added sophistication, with the addition of jazz tinged colors.

    By the late 1980s and early 90s the original techno sound had garnered a large underground following in the UK, Belgium, and Germany, yet it was virtually ignored in the United States. Its popularity in Europe was largely due to the growth of the free party scene known as rave, something that was slower to take root in the US. As the original sound evolved it also diverged; to such an extent that a wide spectrum of stylistically distinct musics was being referred to as techno. This ranged from overtly pop oriented acts such as Moby to the distinctly anti-commercial sentiments of the appropriately named Underground Resistance. In the early 1990s, a number of notable techno producers in the UK and Europe built upon the Detroit sound but at this time an abundance of electronic dance music derivatives were emerging. Some drew heavily upon the Detroit aesthetic, while others fused components of preceding dance music forms. This lead to the appearance of what was often inventive new music...

  6. en.wikipedia.org › wiki › TechnoTechno - Wikipedia

    Techno is a genre of electronic dance music (EDM) that is predominantly characterized by a repetitive and hard four on the floor beat which is generally produced for use in a continuous DJ set. The central rhythm is often in common time (4/4), while the tempo typically varies between 120 and 150 beats per minute (bpm).