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Nov 16, 2023 · Joe Fordham. Director Gareth Edwards had an unusual brief for the visual-effects team on The Creator: Their work would have to mesh with a freewheeling, pseudo-documentary shooting style. Set in 2070, the sci-fi story follows Army veteran Joshua Taylor (John David Washington) into robot-populated New Asia to hunt an AI super-weapon that turns ...
At the 96th Oscars, The Creator is nominated for Best Sound and Best Visual Effects, the latter of which recognizes ILM's Jay Cooper, Ian Comley (visual effects supervisor), and Andrew Roberts (on-set VFX supervisor), as well as special effects supervisor Neil Corbould (who is also nominated this year for his visual effects work on both ...
Feb 22, 2024 · Director Gareth Edwards joins Jay Cooper, Ian Comely, and Andrew Roberts, members of 'The Creator's Oscar-nominated visual effects team, and Awards Daily, to discuss the making of the Sci-Fi epic and its awe-inspiring visuals.
Dec 9, 2021 · The 2021 big-screen adaption of Dune, based on the Frank Herbert book, was written and directed by Denis Villeneuve (Arrival, Blade Runner 2049). postPerspective recently caught up with key members of the visual effects team to get a glimpse behind the scenes of the battle for Spice.
Feb 28, 2023 · Eran Dinur (Iron Man, Terminator Salvation) walks the reader through intangibles that are as important as visual technique, such as how to effectively interact with a visual effects team in pre-production and lessen production costs by using a certain effects strategy. The book doesn’t treat the non-VFX reader with any sense of condescension ...
Jul 26, 2022 · A production member from the VFX team known as a Lidar supervisor will be on set during filming to survey, photograph and scan sets. This role is primarily concerned with taking 3D volumetric scans of sets and locations, capturing photographic textures of those locations, and giving the data back to the visual effects studio.
Dec 27, 2016 · For the first instalment in Warner Bros' planned five-film follow-up to the Harry Potter franchise, the visual-effects team transposed JK Rowling's wizarding world to 1926 New York City.
