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Feb 16, 2024 · I’d previously spoken to filmmaker Gareth Edwards ( here ), but today he’s joining Jay Cooper (Visual Effects Supervisor), Ian Comely (Visual Effects Supervisor), and Andrew Roberts (VFX: On-Set VFX Supervisor) to discuss the movie’s singular look.
- Joey Magidson
At the 96th Oscars, The Creator is nominated for Best Sound and Best Visual Effects, the latter of which recognizes ILM's Jay Cooper, Ian Comley (visual effects supervisor), and Andrew Roberts (on-set VFX supervisor), as well as special effects supervisor Neil Corbould (who is also nominated this year for his visual effects work on both ...
Nov 16, 2023 · articles. videos. Director Gareth Edwards had an unusual brief for the visual-effects team on The Creator: Their work would have to mesh with a freewheeling, pseudo-documentary shooting style. Set in 2070, the sci-fi story follows Army veteran Joshua Taylor (John David Washington) into robot-populated New Asia to hunt an AI super-weapon that ...
Feb 21, 2024 · Andrew Roberts Best Visual Effects Gareth Edwards Jay Cooper Oscars 2024 The Creator. Gareth Edwards and the Oscar nominated members of The Creator's visual effects team discuss the film's unconventional VFX process.
- Gregory Ellwood
Director Gareth Edwards joins VFX team Jay Cooper and Ian Comley to discuss the preparation process, balancing story with effects, and challenges.
Feb 27, 2023 · (Frank Petzold/Netflix) Advertisement. “All Quiet on the Western Front” To help achieve the most organic version of “All Quiet on the Western Front” possible, visual effects supervisor Frank...
May 4, 2022 · He’s one of four visual effects artists credited along with Evan Halleck, Kirsten Lepore, and Matthew Wauhkonen. Below the Line jumped on Zoom with Stoltz, Feldbau, and Desom to discuss how the three of them worked with Daniels to produce the impressive number of visual effects needed to make Everything Everywhere All at Once as seamlessly as ...