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  1. Feb 16, 2024 · Arguably the frontrunners for Best Visual Effects at the Oscars, so it’s really interesting to learn a bit more about how it all works. The Creator really stands out among recent sci-fi efforts and has the makings of a cult classic, so going under the hood for a bit was a very cool experience.

    • Joey Magidson
  2. Feb 21, 2024 · There is a very competitive race in the Visual Effects Oscar category this year. There’s the old standby (“Mission: Impossible – Dead Reckoning Part One”), the head-scratcher (“Napoleon”), the iconic monster (“Godzilla Minus One”), the space-faring super-hero team (“Guardians of the Galaxy Vol. 3”), and last, but certainly not least, the artistic Sci-Fi endeavor (“The ...

    • Gregory Ellwood
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  4. At the 96th Oscars, The Creator is nominated for Best Sound and Best Visual Effects, the latter of which recognizes ILM's Jay Cooper, Ian Comley (visual effects supervisor), and Andrew Roberts (on-set VFX supervisor), as well as special effects supervisor Neil Corbould (who is also nominated this year for his visual effects work on both ...

  5. Apr 15, 2022 · The visual effects in “ Everything Everywhere All at Once ,” the latest film directed by Daniel Kwan and Daniel Scheinert (the filmmaking team known as Daniels ), are abundant and impressive ...

    • Jim Hemphill
  6. Feb 27, 2023 · Feb. 27, 2023 7 AM PT. The five nominees for the 2023 Oscar for achievement in visual effects didn’t just wait at their computers for the postproduction process to begin. Each was intimately ...

    • michael.ordona@latimes.com
    • Staff Writer
  7. Dec 9, 2021 · The 2021 big-screen adaption of Dune, based on the Frank Herbert book, was written and directed by Denis Villeneuve ( Arrival, Blade Runner 2049 ). postPerspective recently caught up with key members of the visual effects team to get a glimpse behind the scenes of the battle for Spice. We spoke to the film’s overall VFX supervisor, Paul ...

  8. Jan 3, 2022 · In creating the visual style for The Matrix Resurrections, Glass says the role for visual effects was to fit around the performances. “I’m not there to put visual effects into a movie where visual effects don’t need to be. It’s all the better to use them where they’re valuable or essential and get everything else in-camera.”