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  1. May 4, 2022 · BTL: I’ve spoken to a ton of VFX supes and I know that Daniels went the VFX house route with Swiss Army Man, but for this one, it was a really small team. Stoltz: We had five people who did over 80 percent of the over 500 visual effects shots, so it was a very small team, and it was really bespoke. It was hiring people as we needed them.

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  2. Apr 8, 2022 · As visual effects supervisor Zak Stoltz tells it, it was a small team of dedicated artists, who against all odds and with incredible limitations on time and money, managed to craft an ...

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  4. Apr 14, 2022 · Originally, Dan and Daniel came to me to head up the visual effects for this movie because they didn’t really like working with a larger [post-production] house.

    • Rick Marshall
  5. Apr 15, 2022 · The core team consisting of Stoltz, Ethan Feldbau, Benjamin Brewer, Jeff Desom, and Matthew Wauhkonen dispensed with the typical visual effects hierarchy to individually create...

    • Jim Hemphill
  6. May 19, 2008 · Breaking down his visual effects crew, Soltes explains, "I'm the supervisor and I basically work for the NBC/Uni house. Then my team is elastic as I do most of the visual effects at Encore in Hollywood. We keep an Inferno going five days a week, lately six days a week, in order to get these last episodes done.

  7. Aug 17, 2021 · Stormfront (Aya Cash) fires her lethal plasma lightning in the notorious asylum sequence in Season 2 of “The Boys.”. The visual effects team is nominated for a 2021 Emmy. Not long ago, “The ...

  8. May 30, 2018 · That means VFX pros have less time to master the look of specific effects: Instead of working on a single show set in, say, outer space, a house like Mr. X might be working on one set in space ...