Search results
Coleen Fitzgibbon and Alan W. Moore
- Coleen Fitzgibbon and Alan W. Moore created an 11:41-minute film in 1978 (finished in 2009) of a no wave concert to benefit Colab called X Magazine Benefit, documenting performances of DNA, James Chance and the Contortions, and Boris Policeband in NYC in the late 1970s.
wiki.alquds.edu
People also ask
Who made the 'No Wave' films?
What is no wave cinema?
Who filmed no wave?
What is a No Wave film?
No Wave Cinema is a radical underground film movement that emerged in the late 1970s in New York City. It’s known for its gritty, low-budget aesthetic and its rejection of conventional storytelling. We’ll jump into the origins of No Wave Cinema, explore its key figures, and discuss why it’s still influential in today’s indie film scene.
- The Blank Generation (Ivan Kral, Amos Poe – 1976) One of the earliest examples of No Wave cinema, The Blank Generation explored the contemporary music scene by featuring behind-the-stage footage of future icons.
- Rome ’78 (James Nares – 1978) Rome ’78 is one of the more famous works from the No Wave movement, blurring the lines between historical accuracy and modernist symbolism.
- Guerillere Talks (Vivienne Dick – 1978) A seminal film that has now come to be seen as a vastly influential feminist piece, this 1978 avant-garde short was Vivienne Dick’s first film.
- Smithereens (Susan Seidelman – 1982) This 1982 drama about a narcissistic young girl looking to make it big is definitely one of the standout No Wave films.
Coleen Fitzgibbon and Alan W. Moore created an 11:41-minute film in 1978 (finished in 2009) of a no wave concert to benefit Colab called X Magazine Benefit, documenting performances of DNA, James Chance and the Contortions, and Boris Policeband in NYC in the late 1970s.
Cinema. No wave cinema was an underground film scene in Tribeca and the East Village. Filmmakers included Amos Poe, Eric Mitchell, Charlie Ahearn, Vincent Gallo, James Nares, Jim Jarmusch, Vivienne Dick, Scott B and Beth B and Seth Tillett, and led to the Cinema of Transgression and work by Nick Zedd and Richard Kern.
- Late 1970s, New York City
- Amos Poe, The Foreigner, Photograph of Debbie Harry, 1977. Upvote Downvote.
- Underground U.S.A., a film by Eric Mitchell with Patti Astor, and Rene Ricard, Film screening, 1980. Upvote Downvote.
- Bleecker Street Cinema, Ecstatic Stigmatic, Gordon Stevenson, Mary Kathryn Cervenka, Arto Lindsay, Flyer, 1980. Upvote Downvote.
- Whitney Museum, No Wave Cinema, 1978-87, Card, 1996. Upvote Downvote.
Nov 19, 2022 · Ephemera from New York City No Wave film movement. From the late 1970s to the mid-980s, No Wave cinema, also known as New Cinema, was experimental, transgressive, intimate, raw, underground, immediate, rapid, joyously amateurish, low-budget, fun and above all independent. Taking its name from the influential music genre and the French New Wave ...
No Wave movement drew inspiration from previous avant-garde film movements. Avant-garde filmmakers like Andy Warhol and Jack Smith were notable influences, challenging the conventions of filmmaking, and blurring the lines between art and cinema. No Wave Cinema continued this tradition.
