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    • Musicology: The History of No Wave - Mixdown Magazine

      James Chance & the Contortions

      • The record was titled No New York, a name taken from a song by James Chance & the Contortions that was subsequently distilled to ‘no wave’ and adapted for use in the scene of which it was spotlighting.
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  2. No Wave was mainly an artistic rather than profit driven genre and it came to include No Wave cinema, art and literature as well as music. Famous No Wave filmmakers include Scott B, Beth B, Jim Jarmusch, Nick Zedd and Richard Kern, who created the controversial short film Fingered starring Lydia Lunch.

  3. Jan 14, 2008 · In the late 1970s, a loose collective of New York bands created a radical reaction to New Wave and Punk that came to be known as No Wave. Led by Mars, DNA, Teenage Jesus and the Jerks, the ...

  4. The record was titled No New York, a name taken from a song by James Chance & the Contortions that was subsequently distilled to ‘no wave’ and adapted for use in the scene of which it was spotlighting.

  5. No Wave Cinema emerged in the late 1970s and early 1980s as part of the broader No Wave movement in New York City, which included music, art, and film. This film movement was characterized by its low-budget, avant-garde approach, and its rejection of conventional narrative structures and commercial cinema.

  6. No wave cinema was an underground filmmaking movement that flourished on the Lower East Side of New York City from about 1976 to 1985. Associated with the artists’ group Collaborative Projects, no wave cinema was a stripped-down style of guerrilla filmmaking that emphasized dark edgy mood and unrehearsed immediacy above many other artistic concerns – similar to the parallel no wave music ...

  7. Mar 10, 2014 · Lunch, who at age 19 had moved to New York and been adopted by Rev and Vega, took this idea and made it her own. A kohl-eyed American nightmare, the filth, fury and bacchanalian corruption of the ...

  8. Rhombicuboctahedron by Leonardo da Vinci. No wave cinema was a Colab -sponsored boom (1976–1985) in underground filmmaking on the Lower East Side of New York City. Its name, much like its cousin no wave music, was a stripped-down style of guerrilla filmmaking that emphasized mood and texture above other concerns.

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