Search results
Freder Frederson. Freder holding a worker he took over for, 11811, or "Georgi". Freder Frederson is the main character of Metropolis, or the son of the mastermind of Metropolis, who found a kindhearted girl in the underground city while the she explained the Tower of Babel myth. Freder falls in love with the girl, named Maria.
- Maria
Maria is a sweet lower-class girl in Metropolis, and the...
- The Machine Man
The Machine Man is a robot created by the mad inventor...
- Maria
Freder Fredersen (Gustav Fröhlich), the son of city master Johann 'Joh' Fredersen (Alfred Abel), is being presented with female consorts, when the beautiful and evangelical figure Maria (Brigitte Helm) enters the garden with a large group of workers' children. She showcases them the lush lifestyle of the rich in contrast to their own poverty ...
Metropolis. (1927 film) Metropolis is a 1927 German expressionist science-fiction silent film directed by Fritz Lang and written by Thea von Harbou in collaboration with Lang [6] [7] from von Harbou's 1925 novel of the same name (which was intentionally written as a treatment ).
- 10 January 1927
- Gottfried Huppertz
- 5.3 million ℛ︁ℳ︁ (estimated) (equivalent to €21 million 2021)
- Erich Pommer
People also ask
Who plays FREDER in Metropolis?
Who is Freder Frederson in Metropolis?
Who directed Metropolis?
Who are the actors in Metropolis?
Metropolis (1927) cast and crew credits, including actors, actresses, directors, writers and more. ... Freder Fredersen - Joh Fredersens Sohn: Rudolf Klein-Rogge ...
Metropolis: Directed by Fritz Lang. With Alfred Abel, Gustav Fröhlich, Rudolf Klein-Rogge, Fritz Rasp. In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working-class prophet who predicts the coming of a savior to mediate their differences.
- PIST-OFF
- 2 min
- Fritz Lang
Freder. Freder is the son of Joh Frederson, who is the ruler of Metropolis. He has spent most of his time in the Club of the Sons until Maria comes into his life and throws his privilege into relief. He falls in love with her instantly and is radicalized by her message of equality. An idealistic and politically-engaged young man, he is the ...
The movie has a plot that defies common sense, but its very discontinuity is a strength. It makes "Metropolis" hallucinatory--a nightmare without the reassurance of a steadying story line. Few films have ever been more visually exhilarating. Generally considered the first great science-fiction film, "Metropolis" (1927) fixed for the rest of the ...
