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  1. Professor L. Petrie is the main character of The Phantom of the Opera (1962). Loosely based on Erik (The Phantom), this Phantom shares similarities with the Lon Chaney rendition as well as the Claude Rains rendition. He died after saving Christine Charles by pushing her out of the way of the...

  2. Herbert Lom in the 1962 version of The Phantom of the Opera. In this version, his name was "Professor Petrie". William Finley in the 1974 rock-musical version of The Phantom of the Opera, Brian De Palma's Phantom of the Paradise. Robert Englund in the 1989 horror film version of The Phantom of the Opera. In this version, his full name was "Erik ...

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  4. As the rope begins to break from the weight, the Phantom rips off his mask, leaps to the stage and pushes Christine safely from harm. The chandelier impales him before the eyes of the horror-stricken audience. Cast. Herbert Lom as The Phantom/Professor Petrie; Heather Sears as Christine Charles; Edward de Souza as Harry Hunter; Thorley Walters ...

  5. The Phantom wearing the black mask in the original novel. With the exception of the Dario Argento/Julian Sands version, every version of the Phantom is seen wearing a mask, an image fixed into the minds of the world since its publication in 1911, though most tend to instantly think of the white half-mask from Andrew Lloyd Webber's stage musical.

  6. Jan 26, 2013 · First Performance: February 1, 1999. Broadway's current Phantom. He made his West End debut in the original London company of Harold Prince 's Show Boat as Ravenal, the role he played on Broadway ...

  7. guidetomonsters.com › html › 60sProfessor Petrie

    Films: Phantom of the Opera (1962) Alias: The Phantom. Type: Natural. Location: Haunted Home. Height/Weight: That of an average human. Affiliation: Neutral, leaning on Good. Summary: Well, we couldn't get Erik on the line (mainly because of that mob, but whatever), but we got this guy instead. And we suppose that's good enough for a "Phantom of ...

  8. Jan 28, 2018 · With over 230 costumes, designer Maria Björnson (who also designed the set) created the look for the musical theatre telling of the Phantom, his obsession with opera ingénue Christine Daaé, a ...