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- When performing a musical work, a performer interprets the piece to help the audience understand what’s happening.
Apr 9, 2019 · Your interpretation of the music should be based on synthesizing lots of factors. One of the most crucial ones is hints from the composer, so pay close attention to any markings or words the composer uses. (Sometimes they are in a foreign language —it is your job to find out what they mean.)
- Is Music A Language?
- Objective and Subjective Components to Interpretation
- Musical Grammar
- Style
To interpret music, we need two fundamental things. First and foremost, we need to speak the musical language. To tell a story, we need to speak the language, and music is a kind of language. It might not literally be a "language"—it might not satisfy the criteria for "language" by professors of linguistics—but it does have grammar, inflection, art...
Many people assume that the arts are entirely subjective, but that would be an oversimplification. An art such as music has both objective and subjective aspects, and the division between them is by no means always black and white. Rules of composition and playing are towards the objective end of the spectrum. Some rules are explicitly written, whi...
There are also aspects of playing music that form a sort of grammar. These are typically not notated—the composer expects us to "speak" the language and read between the lines. Maybe you've heard someone ac-CENT the wrong syl-LA-ble—or maybe you've done so yourself when learning a foreign language. In music, some notes are naturally emphasized whil...
The second fundamental thing we need to interpret music is an understanding of style. When was the music written? What were the performance practices of the day? How fast is "allegro"? What instrument(s) was it written for? What did they sound like at the time, and what might that imply for our performance on a modern instrument? For example, Bach ...
Present-day discussions of performance and interpretation must take into account the historically informed performance movement (aka HIP), which is responsible for an extensive body of specialized music literature on the performance practices of specific musical periods.
- Sezi Seskir, David Hyun-Su Kim
- 2020
Who is responsible for interpreting a ballet's scenario? the choreographer While Tchaikovksy's music provides clear points of reference for the most dramatic moments, the music is still abstract enough that
Because a playwright is not just a writer of plays but a builder of plays. Playwrights are architects for the theatre and as such are equal parts visionary, anthropologist, poet, and historian. Plays are not only words on a page but a structure for future dramatic action.
1. Preparation time and materials: Scripts: Provide the interpreter(s) with a script at least four weeks prior to the date of the interpreted performance. Notify the interpreter of subsequent script changes. Provide lyrics to songs or music to be used during the performances, full translations of non-English dialogue and access to cultural ...
Feb 2, 2024 · Musicians and songwriters are masters at weaving metaphors into their work to express intricate emotions and narratives. Through their skillful use of language, they can transport listeners to different worlds, evoke specific feelings, and tell stories that resonate deeply with our own lives.
