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  1. Jan 16, 2020 · From a musical perspective, interpreting a piece of music is fundamental to performing Western art music. Interpretation allows centuries-old music to be played today while still sounding fresh. Yet many performers even at the college level have limited or no experience in studying a score or forming an interpretation.

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      From a musical perspective, interpreting a piece of music is...

    • Is Music A Language?
    • Objective and Subjective Components to Interpretation
    • Musical Grammar
    • Style

    To interpret music, we need two fundamental things. First and foremost, we need to speak the musical language. To tell a story, we need to speak the language, and music is a kind of language. It might not literally be a "language"—it might not satisfy the criteria for "language" by professors of linguistics—but it does have grammar, inflection, art...

    Many people assume that the arts are entirely subjective, but that would be an oversimplification. An art such as music has both objective and subjective aspects, and the division between them is by no means always black and white. Rules of composition and playing are towards the objective end of the spectrum. Some rules are explicitly written, whi...

    There are also aspects of playing music that form a sort of grammar. These are typically not notated—the composer expects us to "speak" the language and read between the lines. Maybe you've heard someone ac-CENT the wrong syl-LA-ble—or maybe you've done so yourself when learning a foreign language. In music, some notes are naturally emphasized whil...

    The second fundamental thing we need to interpret music is an understanding of style. When was the music written? What were the performance practices of the day? How fast is "allegro"? What instrument(s) was it written for? What did they sound like at the time, and what might that imply for our performance on a modern instrument? For example, Bach ...

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  3. Apr 9, 2019 · When performing a musical work, a performer interprets the piece to help the audience understand what’s happening. Here are just a few examples of things in a piece of music that might need interpretation for the audience’s benefit: Where does one phrase end and the next begin?

  4. Present-day discussions of performance and interpretation must take into account the historically informed performance movement (aka HIP), which is responsible for an extensive body of specialized music literature on the performance practices of specific musical periods.

    • Sezi Seskir, David Hyun-Su Kim
    • 2020
  5. Each musician has a distinct personality and as re-creators, we bring our own unique voice to the music, with the ultimate goal of communicating wordlessly to audience members. For more of the best in classical music, sign up for our E-Newsletter. Musicians interpret different musical terms like "Moderato" and "Andante Tranquillo" in unique ways.

    • who is responsible for interpreting a musical style1
    • who is responsible for interpreting a musical style2
    • who is responsible for interpreting a musical style3
    • who is responsible for interpreting a musical style4
  6. Nov 14, 2019 · Here's a reggae interpretation of an iconic early rock song, including a rewriting of some lyrics to place its story in Jamaica. Peter Tosh's arrangement of Johnny B. Goode. We can compare that to Chuck Berry's original version: Chuck Berry, live performance of Johnny B. Goode (1958) Then there's the historical context in which the work was ...

  7. May 8, 2018 · Music interpretation is ruled by strong stylistic and instrumental constraints: accepted approaches to playing a specific repertoire and a specific instrument condition a performer's musical output. Music does not exist in a vacuum: performers interpret pieces within a cultural framework of performance traditions.

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