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  1. en.wikipedia.org › wiki › Adolf_LoosAdolf Loos - Wikipedia

    Adolf Franz Karl Viktor Maria Loos [1] ( German pronunciation: [ˈaːdɔlf ˈloːs]; 10 December 1870 – 23 August 1933) was an Austrian and Czechoslovak architect, influential European theorist, and a polemicist of modern architecture. He was inspired by modernism and a widely-known critic of the Art Nouveau movement.

    • Architect
  2. Adolf Loos (December 10, 1870 in Brno, Moravia – August 8, 1933 in Vienna, Austria) was an early-twentieth century Viennese architect. He believed that what is beautiful must also be useful, and linked beauty and utility by returning an object to its true utilitarian value.

  3. Adolf Loos (December 10, 1870–August 23, 1933) was a European architect who became more famous for his ideas and writings than for his buildings. He believed that reason should determine the way we build, and he opposed the decorative Art Nouveau movement, or, as it was known in Europe, Jugendstil.

  4. Overview of the Artist. Adolf Franz Karl Viktor Maria Loos (10 December 1870 to 23 August 1933) was a Czechoslovak and Austrian architect, influential European philosopher, and modern architecture social critic. He served as a modernist inspiration and a well-known Art Nouveau movement critic.

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  5. May 17, 2018 · People. Literature and the Arts. Architecture: Biographies. Adolf Loos. Loos, Adolf. views 1,523,310 updated May 17 2018. Loos, Adolf (1870–1933). Influential Austro-Hungarian architect and polemicist.

  6. Jan 11, 2019 · The Viennese architect and architectural theorist, Adolf Loos realized that the enemy of the modern appearance of buildings and the approach to the question of architecture was simple–it was ornamentation.

  7. architecture-history.org › architects › architectsADOLF LOOS

    Adolf Loos's infamous denunciation of ornament helped change the course of modern architecture not because it was the first time that an architect recognized the widening gulf between decoration and structure, but because it was the first time that an architect theorized a detrimental relationship between decoration and cultural evolution.

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