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- The Mahavishnu Orchestra. 457 votes. Under the visionary guidance of guitarist John McLaughlin, The Mahavishnu Orchestra forged a new path in the world of jazz fusion by blending elements of rock, Indian classical music, and Western classical influences.
- Miles Davis. 575 votes. No discussion of jazz fusion would be complete without mentioning the trailblazing contributions of Miles Davis. By embracing electric instrumentation and rock-inspired grooves on albums such as Bitches Brew and In a Silent Way, Davis forever changed the landscape of jazz.
- Chick Corea. 398 votes. As both a founding member of Return to Forever and a prolific solo artist, Chick Corea's influence on jazz fusion is immeasurable.
- Herbie Hancock. 434 votes. An undisputed master of the keyboard, Herbie Hancock revolutionized jazz fusion by fearlessly exploring synth-driven sounds and funk grooves.
Jazz fusion (also known as fusion, [3] jazz rock, and jazz-rock fusion) is a popular music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians ...
- Late 1960s, United States
Apr 22, 2022 · The "supergroup” defined the state of jazz rock for its 16-year run. In 1969, Miles Davis pioneered the sound of jazz fusion, creating a ripple effect as members of his band went on to form their own iconic side groups. Steve Edwards captures the moment that defined the sound, instruments and key figures of jazz fusion.
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Mar 21, 2024 · 10. Jean-Luc Ponty. Jean-Luc Ponty performing at Berkeley Jazz Festival in 1982. Jean-Luc Ponty, a virtuoso of the electric violin, has had an undeniable impact on the jazz fusion genre, distinguishing himself from other jazz fusion artists with his innovative use of the violin.
- Gary Burton Quartet – Duster. Generally considered to be one of the earliest fusion albums, this 1967 LP finds legendary vibraphonist Gary Burton at the intersection of jazz and progressive rock, thanks in no small part to Larry Coryell’s acidic, blues-inflected guitar.
- The Free Spirits – Out of Sight and Sound. The way the Free Spirits are depicted on the cover of their sole album Out of Sight and Sound would probably lead the average listener to assume they’re a ’60s psych band.
- Frank Zappa – Hot Rats. Hot Rats is a curious album both in the canons of jazz-fusion and Frank Zappa. It isn’t broadly considered the peak of either; fusion would both be wiler and more satisfactorily rock-oriented elsewhere where Zappa would become both more avant-garde and more approachable on other records, more jazzy and less.
- Miles Davis – Bitches Brew. I felt a strong temptation to begin here by saying that Bitches Brew can be connected to every album here by just one degree.
Mar 1, 2013 · The first phase of Miles' fusion transformation involves the development of his second great quintet. Miles' second great quintet, like many of the ensembles he worked with over the year, contained a number of performers who would go on to become jazz stars in their own right, like pianist Herbie Hancock and saxophonist Wayne Shorter.
The fusion that resulted from combining jazz improvisations with rock rhythms and electronic sound effects appealed to audiences who previously favored one or the other, but not both. In the early 1970s, jazz fusion artists incorporated funk elements, thereby bridging the divide between three audiences and generating more fans for jazz, rock ...
