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    • Who was the first jazz musician to do fusion?

      • Miles Davis was one of the first Jazz musicians to incorporate Fusion into their material. His guitar player John McLaughlin branched out forming his own fusion group Mahavishnu Orchestra . Blending Indian classical music, jazz, and psychedelic rock they created a whole new style just like John McLaughlins former band member Miles Davis.
  1. › wiki › Jazz_fusionJazz fusion - Wikipedia

    Jazz fusion. Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians ...

    • "Jazz as We Know It Is Dead!"
    • "If John Coltrane Met George Harrison"
    • State of Emergency
    • Further First Fusion

    In June of 1967, the same month that the Beatles released Sgt. Pepper's Lonely Hearts Club Band, DownBeat Magazine published "A Message To Our Readers." "Rock and roll has come of age," the flagship journal of the jazz world proclaimed. "Without reducing its coverage of jazz, DownBeat will expand its editorial perspective to include musically valid aspects of the rock scene." Rock was on the rise, and jazz was on the run. That same year two legendary New York City jazz clubs, the Five Spot and Eddie Condon's, both closed, and a DownBeat cover headline stated, "Jazz As We Know It Is Dead!". Long considered to be the hip music of the counterculture, jazz now seemed either bop-stagnant or avant-garde-abrasive to young listeners who flocked to rock instead. In his book Jazz Rock, Stuart Nicholson chronicles the economic migrations and upheavals caused by jazz's declining popularity, and the growing calls of some jazz writers and mainstream media music critics for jazz to somehow find a...

    One of the first jazz-rock groups to emerge in the mid-1960s was the Free Spirits, which grew out of a music collective that jammed at a New York City club called L'Intrigue. Young musicians such as guitarist Larry Coryell, saxophonist Jim Pepper, trumpeter Randy Brecker, and drummer Bob Moses all partook of a kinetic and experimental culture that had room for both Wes Montgomery and the Rolling Stones; looking back decades later, Coryell, who had come to New York City from Seattle in 1965 at the age of 22, said the Free Spirits' sound was a result of "trying to imagine what it would be like if John Coltrane met George Harrison." The Free Spirits opened for Jimi Hendrix, the Doors and the Velvet Underground, and recorded their debut album in late 1966 for ABC, with a repertoire written primarily by Coryell and fellow guitarist Chip Baker. Despite laudatory liner notes from jazz critic Nat Hentoff and an ABC ad touting the Free Spirits as "the ‘now' group with the ‘now' sound," Out O...

    Another fusioneer, saxophonist Steve Marcus, had a big-band heritage, having played with both Woody Herman and Stan Kenton, and he was also a part of the New York City scene that had spawned the Free Spirits. In the late 1960s he put together an ensemble that in retrospect is a sort of supergroup of early jazz-rock, Count's Rock Band, including former Free Spirits Larry Coryell on guitar, Chris Hills on bass, and Bob Moses on drums, as well as John Handy and Fourth Way pianist Mike Nock on keyboards; Gary Burton even shows up on tambourine as well. The group's sound has been described as the meeting of free jazz and acid rock. Mike Nock said, "Our idea was to play contemporary jazz over rock grooves," and on songs like the Byrds' "Eight Miles High" and the Beatles' "Tomorrow Never Knows" the group succeeded in creating a dramatic early form of fusion: There are other musicians from the mid-to-late 1960s who delved into the realm of jazz-rock, such as vibraphonists Dave Pike and Mike...

    Listen to a previous Night Lights program about the mid-1960s group of Charles Lloyd
    Read a Night Lights interview with saxophonist John Handy about the mid-1960s music scene
    Check out the Night Lights show Jazz Cameos, which features jazz musicians sitting in on rock records
    Read Stuart Nicholson's Jazz-Rock: A History
  2. Mar 23, 2020 · A History of Jazz Fusion in 30 Essential Albums. by Treble staff. March 23, 2020. The domain of crate diggers, virtuosos and DJs, jazz fusion is burdened by a reputation that contradicts itself. To some, it’s the sound of a supremely cool, effortlessly funky period in the ’70s when you could have a Gold record stuffed with 15-minute ...

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  4. Jazz, jazz fusion, post bop, Latin jazz, classical music, avant-garde jazz Return to Forever , Five Peace Band , Chaka Khan As leader: Return to Forever (1972), The Leprechaun (1976), My Spanish Heart (1976), with Return to Forever : Light as a Feather (1973), Hymn of the Seventh Galaxy (1973), Where Have I Known You Before (1974), Romantic ...

  5. A Brief Fusion Jazz History. Free jazz constituted one jazz branch that flowed during the 1960s. Another stream blended jazz with rock, funk, and other styles and became known as fusion or electric jazz, which hit its prime during the late ’60s and early ’70s. Although some fans and critics dismiss fusion for not being genuine jazz, it ...

  6. Nov 22, 2021 · Perhaps the best known jazz trombonist of all time, J.J. Johnson was the first one of the earliest musicians on the instrument to play in the bebop style. Born in 1924, his career started (as with most jazz artists from that era) in the 40’s swinging big bands and orchestras – most notably Benny Carter and Count Basie .

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