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  1. Arles, early 1889. This portrait of Joseph Roulin is one of six van Gogh painted of his close friend, a postal employee in the southern French town of Arles, a fifteen-hour train ride from Paris. Van Gogh had moved to Arles in 1888, hoping to create an artists cooperative there. The plan never came to fruition, and the artist became lonely and ...

  2. On October 2, 1888 Vincent van Gogh sends a letter to Eugene Boch mentioning his project to paint The Red Vineyard, in which he mentioned: Ah well, I have to go to work in the vineyard, near Mont Majour. It's all purplish yellow green under the blue sky, a beautiful, colour motif." While painting, Van Gogh was not standing in front of the ...

  3. Summary of Vincent van Gogh. The iconic tortured artist, Vincent Van Gogh strove to convey his emotional and spiritual state in each of his artworks. Although he sold only one painting during his lifetime, Van Gogh is now one of the most popular artists of all time. His canvases with densely laden, visible brushstrokes rendered in a bright ...

  4. For Vincent van Gogh (1853–1890), the answer was clear: color. “What I’m most passionate about, much much more than all the rest in my profession,” he enthused to his sister, Willemien, “is the portrait, the modern portrait. I seek it by way of color.” 1 With its vivid palette, spirited handling, and exuberant background, Portrait ...

  5. Jun 1, 2023 · In a 1962–63 paper published in the Bulletin of the Detroit Institute of the Arts, Professor of Art History at the University of Chicago, Joshua C Taylor, argues that Van Gogh’s work was based on his emotions and therefore resonates with viewers decades after his death. Taylor highlights Van Gogh’s “brief but intense career as a painter ...

  6. Aug 5, 2016 · The Van Gogh Museum can’t stand the notion of Vincent van Gogh as an outsider artist. Its new exhibition is part of a longstanding struggle to free his paintings from such melodramatic views.

  7. Jan 25, 2024 · Most people characterize Vincent van Gogh's work for its bold, swirling strokes. But he was much more dynamic than just that. I have spent the last few weeks looking over his entire portfolio, including over 800 paintings, to get a feel for how he painted and his preferred techniques and processes. Here are my findings.

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