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on the home front, intended to mobilize them for the war effort. Although women's efforts in support of Japan's war were crucial, and much time, money, and attention were directed to mobilizing those efforts, in fact the messages of wartime kamishibai plays directed at women are surprisingly varied.2 An examination of the range of such messages
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- Published Educational Kamishibai
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- Post-War Kamishibai
- The Globalization of Kamishibai
Because of their often sensationalistic content, street performances of all kinds were subject to frequent bans by the authorities, and kamishibai was no exception. In 1929, when tachi-e was undergoing a ban, three street performers in Tokyo (Takahashi Seizō, Gotō Terakura, and Tanaka Jirō) put their heads together to develop a new form of picture-...
In the early 1930s, Japan was suffering from a world-wide depression that sent the unemployed from all walks of life into the streets. With few other options, many became gaitō kamishibai performers. The new hira-estyle of kamishibai did not require extensive training, and almost anyone with a bicycle, a stage, and a voice could set up in the trade...
Without this increase in publishers of educational kamishibai, it is unlikely that Japan’s militaristic government would have called upon kamishibai to play such a pivotal role as a media for propaganda in the build up to World War II. By the beginning of World War II (1941-1945) and middle of the second Sino-Japanese War (1937-1945), published kam...
The use of kamishibai for propaganda during World War II made it an object of particular scrutiny when the war ended. General Douglas MacArthur and the Allied Powers were anxious to purge Japan of its former Imperialist ambitions, and kamishibai performers after the war had to get their stamp of approval. Nonetheless, people turned once again in dr...
Perhaps the biggest growth in interest in kamishibai as a format is happening outside Japan. Artists and kamishibai practitioners involved in the tezukuri kamishibai movement have actively been transporting kamishibai to countries throughout Asia and the middle-east to encourage local artists to create their own stories. Gaitō street performance ar...
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kamishibai became a primary form of propaganda and indoctrination. This paper will briefly explore the history of kamishibai , and in particular, the ideological uses to which kamishibai was put during the. prewar and wartime periods. As this history shows, the human. connection storytelling creates is a powerful one, and that power is not.
May 2, 2016 · BRILL, May 2, 2016 - Art - 380 pages. The first in-depth scholarly study in English of the Japanese performance medium kamishibai, Sharalyn Orbaugh’s Propaganda Performed illuminates the vibrant street culture of 1930s Japan as well as the visual and narrative rhetoric of Japanese propaganda in World War II. Emerging from Japan’s cities in ...
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Jan 1, 2022 · As Japan invaded other countries, kamishibai’s feature of eliciting shared feeling (kyokan) among listeners was exploited, with numerous kamishibai published to encourage cooperation with the war effort. After World War II, a new kamishibai movement began that centred on peace, love for children, and affirming the value of life.
Nov 11, 2009 · Kamishibai is a form of picture storytelling that evolved in Japan at the beginning of the twentieth century. With the coining of World War II, it became one of the most widely used mediums for propaganda, targeting both children on the homefront and newly colonized nations. This paper examines some of the types of wartime kamishibai, and the ...
Kamishibai. A form of propaganda unique to Japan was war themed Kamishibai "paper plays": a street performer uses Emakimono "picture scrolls" to convey the story of the play. Audiences typically included children who would buy candy from the street performer providing his source of income.
