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Kamishibai is a form of picture storytelling that evolved in Japan at the beginning of the twentieth century. With the coming of World War II, it became one of the most widely used mediums for propaganda , targeting both children on the homefront and newly colonized nations. This paper examines some of the types of wartime kamishibai , and the ...
- Hira-E: The New Kamishibai
- Published Educational Kamishibai
- Kokusaku (Government Policy) Kamishibai
- Post-War Kamishibai
- The Globalization of Kamishibai
Because of their often sensationalistic content, street performances of all kinds were subject to frequent bans by the authorities, and kamishibai was no exception. In 1929, when tachi-e was undergoing a ban, three street performers in Tokyo (Takahashi Seizō, Gotō Terakura, and Tanaka Jirō) put their heads together to develop a new form of picture-...
In the early 1930s, Japan was suffering from a world-wide depression that sent the unemployed from all walks of life into the streets. With few other options, many became gaitō kamishibai performers. The new hira-estyle of kamishibai did not require extensive training, and almost anyone with a bicycle, a stage, and a voice could set up in the trade...
Without this increase in publishers of educational kamishibai, it is unlikely that Japan’s militaristic government would have called upon kamishibai to play such a pivotal role as a media for propaganda in the build up to World War II. By the beginning of World War II (1941-1945) and middle of the second Sino-Japanese War (1937-1945), published kam...
The use of kamishibai for propaganda during World War II made it an object of particular scrutiny when the war ended. General Douglas MacArthur and the Allied Powers were anxious to purge Japan of its former Imperialist ambitions, and kamishibai performers after the war had to get their stamp of approval. Nonetheless, people turned once again in dr...
Perhaps the biggest growth in interest in kamishibai as a format is happening outside Japan. Artists and kamishibai practitioners involved in the tezukuri kamishibai movement have actively been transporting kamishibai to countries throughout Asia and the middle-east to encourage local artists to create their own stories. Gaitō street performance ar...
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Nov 11, 2009 · Kamishibai is a form of picture storytelling that evolved in Japan at the beginning of the twentieth century. With the coining of World War II, it became one of the most widely used mediums for propaganda, targeting both children on the homefront and newly colonized nations. This paper examines some of the types of wartime kamishibai, and the ...
- Emily Horner
- 2009
Kamishibai is a form of picture storytelling that evolved in Japan at the beginning of the twentieth century. With the coming of World War II, it became one of the most widely used mediums for propaganda, targeting both children on the homefront and newly colonized nations. This paper examines some of the types of wartime kamishibai, and the ideologies of the warrior code and the "nationstate ...
- Emily Horner
- 2009
A kamishibai was a frame mounted on the back of a bicycle, coincidentally equivalent in dimensions to a modern flat-screen TV. The story-teller would ride to a spot in a park or street, summon the local children with a clapperboard, and tell a story using a sequence of a dozen single full-colour images, slotted in and out of the frame.
May 2, 2016 · Sharalyn Orbaugh. BRILL, May 2, 2016 - Art - 380 pages. The first in-depth scholarly study in English of the Japanese performance medium kamishibai, Sharalyn Orbaugh’s Propaganda Performed illuminates the vibrant street culture of 1930s Japan as well as the visual and narrative rhetoric of Japanese propaganda in World War II.
Jan 1, 2022 · As Japan invaded other countries, kamishibai’s feature of eliciting shared feeling (kyokan) among listeners was exploited, with numerous kamishibai published to encourage cooperation with the war effort. After World War II, a new kamishibai movement began that centred on peace, love for children, and affirming the value of life.
