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  1. The use of kamishibai for propaganda during World War II made it an object of particular scrutiny when the war ended. General Douglas MacArthur and the Allied Powers were anxious to purge Japan of its former Imperialist ambitions, and kamishibai performers after the war had to get their stamp of approval.

  2. Kamishibai is a form of picture storytelling that evolved in Japan at the beginning of the twentieth century. With the coming of World. War II, it became one of the most widely used mediums for. propaganda , targeting both children on the homefront and newly. colonized nations.

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  4. Kamishibai. A form of propaganda unique to Japan was war themed Kamishibai "paper plays": a street performer uses Emakimono "picture scrolls" to convey the story of the play. Audiences typically included children who would buy candy from the street performer providing his source of income.

  5. Jan 1, 2022 · As Japan invaded other countries, kamishibai’s feature of eliciting shared feeling (kyokan) among listeners was exploited, with numerous kamishibai published to encourage cooperation with the war effort. After World War II, a new kamishibai movement began that centred on peace, love for children, and affirming the value of life.

  6. Nov 11, 2009 · Kamishibai is a form of picture storytelling that evolved in Japan at the beginning of the twentieth century. With the coining of World War II, it became one of the most widely used mediums for propaganda, targeting both children on the homefront and newly colonized nations.

    • Emily Horner
    • 2009
  7. Japan History: the Asia-Pacific War: Kamishibai. The unofficial English translation for the Furoya no Daichan kamishibai play. The moving story of Daichan, who as the son of a soldier, encourages the recycling of old nickel, copper, and cupronickel coins for military usage. Daichan’s father successfully destroyed an enemy aircraft carrier ...

  8. During World War II, kamishibai became as important as film, radio, and other mass media for spreading the militaristic governments agenda and convincing people of all ages of the divinity of the Imperial lineage (Orbaugh, 2014).

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