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Jerzy's widow, Kazimiera Żuławska, subsequently resettled with their sons in Warsaw, where they remained into the Second World War. Due to Jerzy's early death, the boys did not have the opportunity to gain their father's experience first-hand, but all three inherited his dedication to alpinism, spending much of their time participating in ...
- Jerzy Żuławski, 14 July 1874, Lipowiec
- 9 August 1915 (aged 41), Dębica
- Polish
- University of Bern
Mar 29, 2022 · Equally salient is how Jerzy predicted how bad it would be to live in a communist superstate – he wrote this six years before the Russian revolutions began in 1917 and the USSR began to rear its insipid grey head. It also appears Jerzy may have been the first person to use the term ‘nanny state’ (rząd opiekuńczy), which amuses me greatly.
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Nov 29, 2017 · Jerzy Żuławski was a Polish poet, writer, and playwright. He was born on 14 th July 1874 in Lipowiec, close to Rzeszów, and died during the typhus epidemic in Dębica on 9 th August 1915. Żuławski went to middle school in Bochnia, and finished his primary education in Kraków. In 1892 he enrolled in a technical studies programme in Zurich ...
Dec 30, 2022 · The poster “Poland – First to Fight” refers to the most important events in the country’s history – World War II and the defense against Nazi Germany’s invasion in 1939. Marek Zulawski created the poster around 1940. In the foreground, it shows a battered Polish flag flying in the wind. The flag has been damaged by the hardships of ...
Jul 19, 2016 · His original intention was to adapt the first novel in a science-fiction trilogy written in 1903 by his great-uncle Jerzy Zuławski. The story involves a group of astronauts from Earth who crash on a distant planet resembling our own; while some are killed, the survivors have children and found a new race of humans.
Thanks to the ham-fisted Polish Communist censors, it is an even more surreal viewing experience. Digitally restored to a clarity probably never really seen before, Zuławski’s mauled and maligned masterwork On the Silver Globe (trailer here) re-releases today at the Film Society of Lincoln Center.
The more you see of Zuławski's films, the more it feels like they're a set of interlocking puzzle boxes, each of which contains the means to unlock another, and when you watch this fiercely personal film, you can see how Possession is a comment on it, an expansion, even in some ways a rebuke. It's useful to see how the films parallel. In