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Kamishibai in its current form became popular during the 1920s, reaching its peak in the 1950s with more than 3,000 storytellers in Tokyo alone. Each day, the kamishibai man would make the rounds of various neighborhoods on a bicycle with about three different stories. Stopping at a convenient corner, he would announce story time by beating on ...
- Hira-E: The New Kamishibai
- Published Educational Kamishibai
- Kokusaku (Government Policy) Kamishibai
- Post-War Kamishibai
- The Globalization of Kamishibai
Because of their often sensationalistic content, street performances of all kinds were subject to frequent bans by the authorities, and kamishibai was no exception. In 1929, when tachi-e was undergoing a ban, three street performers in Tokyo (Takahashi Seizō, Gotō Terakura, and Tanaka Jirō) put their heads together to develop a new form of picture-...
In the early 1930s, Japan was suffering from a world-wide depression that sent the unemployed from all walks of life into the streets. With few other options, many became gaitō kamishibai performers. The new hira-estyle of kamishibai did not require extensive training, and almost anyone with a bicycle, a stage, and a voice could set up in the trade...
Without this increase in publishers of educational kamishibai, it is unlikely that Japan’s militaristic government would have called upon kamishibai to play such a pivotal role as a media for propaganda in the build up to World War II. By the beginning of World War II (1941-1945) and middle of the second Sino-Japanese War (1937-1945), published kam...
The use of kamishibai for propaganda during World War II made it an object of particular scrutiny when the war ended. General Douglas MacArthur and the Allied Powers were anxious to purge Japan of its former Imperialist ambitions, and kamishibai performers after the war had to get their stamp of approval. Nonetheless, people turned once again in dr...
Perhaps the biggest growth in interest in kamishibai as a format is happening outside Japan. Artists and kamishibai practitioners involved in the tezukuri kamishibai movement have actively been transporting kamishibai to countries throughout Asia and the middle-east to encourage local artists to create their own stories. Gaitō street performance ar...
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Jun 28, 2018 · Paper play. Kamishibai performances and workshops are popular in France, Belgium, Italy, Spain, Germany, South America and the US. The storyboards can introduce audiences to folktales from...
Jun 14, 2023 · A traditional Japanese Storytelling art Kamishibai. 06/14/2023. Kamishibai means paper play in Japanese and is a traditional storytelling art that was popular during the 1930s and post-war period in Japan but is still performed today. The Kamishibai storyteller, which is called gaito Kamishibaiya, would travel to street corners, park their ...
Mar 1, 2021 · The form has become popular in libraries for its flexibility and accessibility, says storyteller and artist Tara M. McGowan, author of The Kamishibai Classroom: Engaging Multiple Literacies through the Art of Paper Theatre.
Jun 14, 2016 · 1. What is “Kamishibai”? Kamishibai is a revolutionary act. A breath of pure, fresh and liberating air in a world surrounded by electronic devices that devour our attention, virtualize our socialization and close the doors to our imagination. Yes, we're talking about you, iPad, or you, TV.
Kamishibai (kah-mee-shee-bye) or “paper drama” is a form of storytelling that began in Buddhist temples in Japan in the 12th century. The monks used e-maki (eh-mah-key) or “picture scrolls” to tell stories with moral lessons to people who were mostly uneducated.
