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Kamishibai in its current form became popular during the 1920s, reaching its peak in the 1950s with more than 3,000 storytellers in Tokyo alone. Each day, the kamishibai man would make the rounds of various neighborhoods on a bicycle with about three different stories. Stopping at a convenient corner, he would announce story time by beating on ...
- Hira-E: The New Kamishibai
- Published Educational Kamishibai
- Kokusaku (Government Policy) Kamishibai
- Post-War Kamishibai
- The Globalization of Kamishibai
Because of their often sensationalistic content, street performances of all kinds were subject to frequent bans by the authorities, and kamishibai was no exception. In 1929, when tachi-e was undergoing a ban, three street performers in Tokyo (Takahashi Seizō, Gotō Terakura, and Tanaka Jirō) put their heads together to develop a new form of picture-...
In the early 1930s, Japan was suffering from a world-wide depression that sent the unemployed from all walks of life into the streets. With few other options, many became gaitō kamishibai performers. The new hira-estyle of kamishibai did not require extensive training, and almost anyone with a bicycle, a stage, and a voice could set up in the trade...
Without this increase in publishers of educational kamishibai, it is unlikely that Japan’s militaristic government would have called upon kamishibai to play such a pivotal role as a media for propaganda in the build up to World War II. By the beginning of World War II (1941-1945) and middle of the second Sino-Japanese War (1937-1945), published kam...
The use of kamishibai for propaganda during World War II made it an object of particular scrutiny when the war ended. General Douglas MacArthur and the Allied Powers were anxious to purge Japan of its former Imperialist ambitions, and kamishibai performers after the war had to get their stamp of approval. Nonetheless, people turned once again in dr...
Perhaps the biggest growth in interest in kamishibai as a format is happening outside Japan. Artists and kamishibai practitioners involved in the tezukuri kamishibai movement have actively been transporting kamishibai to countries throughout Asia and the middle-east to encourage local artists to create their own stories. Gaitō street performance ar...
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Jun 28, 2018 · Meet kamishibai – from kami, meaning paper and shibai, meaning play or theatre – the ancient Japanese storytelling tool that many librarians, nursing-homes and schools use in several countries ...
For more information, contact: Margaret Eisenstadt Kamishibai for Kids P.O. Box 20069 Park West Station New York, NY 10025-1510. Telephone and fax: 212-662-5836. One kamishibai costs $35.00; five for $150.00; a wooden box-stage costs $105.00.
Figure 3–Street kamishibai in the 20 th century (The Kamishibai Classroom, p. 6) From the 1930s until the 1950s, kamishibai was the most popular form of entertainment for children, so much so that when television came to Japan in the 1950s, it was referred to as “denki kamishibai” (electric kamishibai).
Kamishibai, or paper theater, is a form of storytelling that uses large picture cards. It was wildly popular throughout Japan in the 1930s. Today, it's still enjoyed in kindergartens and libraries ...
It became especially popular during the 1920s because of the growth of the silent film industry, which was actually narrated in Japan, and took on the characteristics of silent film dialogue and stage set aesthetics. Kamishibai became so popular that television was first called “electric kamishibai.”
