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Showdown was shot in black and white to save money, which infuriated Murphy. Producer Gordon Kay said that the film earned no less than did other Murphy films of the period. [1]
A great example of when a low budget necessitates shooting in black and white (much to the chagrin of star Audie Murphy) and the film is the beneficiary, not only of more striking imagery, but an added layer of stark visual anxiety, guilt and regret.
- R.G. Springsteen
- Universal International Pictures
There are two main methods, luminosity (assigns a shade of gray based on brightness of tone), and color altering which alters the colors themselves before the conversion. (There are only 256 shades of gray available, while modern color has over 16 million shades).
Oct 29, 2023 · The movie was shot in black and white by Ellis W. Carter. The Lone Pine vistas look absolutely majestic. Kino Lorber’s Blu-ray print looks and sounds very good.
Producer Gordon Kay shot the film in black and white, to save money, which infuriated Murphy but the movie earned about the same as other Murphy films of the era.
- (707)
- Western
- R.G. Springsteen
- 1963-05-03
Filmed in black and white, something which didn't sit well with Murphy, this turns out to be a well photographed (the su... read the rest.
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Apr 3, 2017 · From German expressionism to film noir, black and white films have pushed the boundaries of movie-making, as RocketJump Film School outlines in an incredibly in depth analysis of the...
