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Topper was the first black-and-white film to be digitally colorized, re-released in 1985 by Hal Roach Studios, with color by Colorization, Inc. The film was chosen because its original 1937 release represented Hal Roach's entry
- $500,000 (proposed)
- Hal Roach
Sep 2, 2018 · Broadcasting networks didn’t upgrade to provide the sort of color TV we’d need to watch something like Snow White or the 1965 Batman TV series until the mid-1960s. The viewing public were even slower to embrace color TV. Only 48% of American households had switched to color TVs by July 1, 1971. “Holy broadcast, Mommyo!”.
The films, which had originally been shot in black-and-white, didn’t look quite the same as “real” color movies, but they seemed a bit more familiar than the old black-and-white prints....
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According to a 1986 Variety interview with Frank Capra Jr., his father had wanted to shoot the film in color, but because the only suitable stock footage he intended to incorporate into the film, such as scenes from a documentary about the Himalayas, was in black and white, he was forced to change his plans.
- $2 million
- Dimitri Tiomkin
- Frank Capra
- Ronald Colman
Apr 3, 2017 · From a technical aspect, the aesthetic has changed the way filmmakers play with texture, lighting, sets, and depth. But more importantly, black and white changes a movie thematically, providing ...
- Culture Editor
The version I watched was in black and white, which is weird because all of the earlier Murphy westerns I saw were in color. Even another film starring Murphy by the same director released the next year was in color.
The artistic advantage of black and white is that it heightens the impact of the film’s violence and highlights the duality of good and evil. The lighting and contrast in the film noir style enhance the brutality of each violent scene. For instance, when the one-armed man is shot in the head in the snowy streets of Kraków, his seemingly ...
