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  1. The Piano Sonata No. 28, Op. 101 is the first of the series of Beethoven's "Late Period" sonatas (although sometimes Op. 90 is considered the first), when his music moved in a new direction toward a more personal, intimate, sometimes even introspective, realm of freedom and fantasy. In this period he had achieved a complete mastery of form ...

  2. 1. Ludwig van Beethoven: Piano Sonata No.29 in B flat Op.106 ‘Hammerklavier’ I. Allegro. 2. Ludwig van Beethoven: Piano Sonata No.29 in B flat Op.106 ‘Hammerklavier’ II. Scherzo: Assai vivace. 3. Ludwig van Beethoven: Piano Sonata No.29 in B flat Op.106 ‘Hammerklavier’ III. Adagio sostenuto. 4.

  3. Ludwig van Beethoven 's Piano Sonata No. 30 in E major, Op. 109, composed in 1820, is the third-to-last of his piano sonatas. In it, after the huge Hammerklavier Sonata, Op. 106, Beethoven returns to a smaller scale and a more intimate character. It is dedicated to Maximiliane Brentano, the daughter of Beethoven's long-standing friend Antonie ...

  4. The Piano Sonata No. 14 in C-sharp minor, marked Quasi una fantasia, Op. 27, No. 2, is a piano sonata by Ludwig van Beethoven. It was completed in 1801 and dedicated in 1802 to his pupil Countess Julie "Giulietta" Guicciardi. The name Moonlight Sonata (German: Mondscheinsonate) grew popular later, likely after Beethoven's death.

  5. The late piano sonatas of Ludwig van Beethoven usually refer to the last five piano sonatas the composer composed during his late period. Piano Sonata No. 28 in A major, Op. 101. Piano Sonata No. 29 in B-flat major, Op. 106 "Hammerklavier". Piano Sonata No. 30 in E major, Op. 109. Piano Sonata No. 31 in A-flat major, Op. 110.

  6. Goode was the first American-born pianist to record the complete Beethoven piano sonatas. He regularly appears at the world's leading venues. [2] He premiered works written for him by Carlos Chávez, George Perle, Robert Helps, and others. His chamber-music partners included Dawn Upshaw, Richard Stoltzman and Alexander Schneider.

  7. Cello Sonatas No. 1 and No. 2, Op. 5, are two sonatas for cello and piano written by Ludwig van Beethoven in 1796, while he was in Berlin. While there, Beethoven met the King of Prussia Friedrich Wilhelm II, an ardent music-lover and keen cellist. Although the sonatas are dedicated to Friedrich Wilhelm II, Ferdinand Ries tells us that Beethoven ...

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