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  1. Sep 08, 2021 · Beethoven composed works in all the main genres of classical music, including symphonies, concertos, string quartets, piano sonatas and the opera. His works range from requiring a solo performer to needing a large orchestra and chorus to perform.

  2. Beethoven was hailed in 1810 by the writer and composer E. T. A. Hoffmann, in an influential review in the Allgemeine musikalische Zeitung, as the greatest of (what he considered) the three "Romantic" composers (that is, ahead of Haydn and Mozart); in Beethoven's Fifth Symphony his music, wrote Hoffmann, "sets in motion terror, fear, horror ...

    • 17 December 1770
    • Bonn
    • Composer, pianist
    • 26 March 1827 (aged 56), Vienna
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  4. 6 days ago · Ludwig van Beethoven (1770–1827), German composer (often considered the greatest of all symphonists) of 9 symphonies, of which the ninth (Choral, 1824) includes mixed chorus and parts for soprano, alto, tenor, and baritone in its finale; in addition, the composer also left sketches for a tenth symphony, later elaborated by Barry Cooper in ...

    • How Mozart's Compositions Are Listed
    • Symphonies
    • Concertos
    • Piano Music
    • Chamber Music
    • Serenades, Divertimenti, and Other Instrumental Works
    • Sacred Music
    • Organ Music
    • Operas
    • Oratorios and Cantatas
    The indication "K." or "KV" refers to Köchel Verzeichnis (Köchel catalogue), i.e. the (more or less) chronological (i.e. by composition date) catalogue of Mozart's works by Ludwig von Köchel. This...
    The compositions of Mozart listed below are grouped thematically, i.e. by type of composition. Not all thematic groups of Mozart's works have a separate numbering that is generally accepted: Köchel...
    Only relatively few of Mozart's compositions have opus numbers, as not so many of his compositions were published during his lifetime, so numbering by opus number proves quite impractical for Mozar...

    Mozart's symphonic production covers a 24-year interval, from 1764 to 1788. According to most recent investigations, Mozart wrote not just the 41 symphonies reported in traditional editions, but up to 68 complete works of this type. However, by convention, the original numbering has been retained, and so his last symphony is still known as "No. 41". Some of the symphonies (K. 297, 385, 550) were revised by the author after their first versions.

    Piano concertos

    Mozart's concertos for piano and orchestra are numbered from 1 to 27. The first four numbered concertos are early works. The movements of these concertos are arrangements of keyboard sonatas by various contemporary composers (Raupach, Honauer, Schobert, Eckart, C. P. E. Bach). There are also three unnumbered concertos, K. 107, which are adapted from piano sonatas by J. C. Bach. Concertos 7 and 10 are compositions for three and two pianos respectively. The remaining twenty-one, listed below, a...

    Violin concertos

    Mozart's five violin concertos were written in Salzburg around 1775. They are notable for the beauty of their melodies and the skillful use of the expressive and technical characteristics of the instrument, though Mozart likely never went through all the violin possibilities that others (e.g. Beethoven and Brahms) did after him. (Alfred Einsteinnotes that the violin concerto-like sections in the serenades are more virtuosic than in the works titled Violin Concertos.) 1. Violin Concerto No. 1...

    Horn concertos

    Arguably the most widely played concertos for horn, the four Horn Concertos are a major part of most professional horn players' repertoire. They were written for Mozart's lifelong friend Joseph Leutgeb. The concertos (especially the fourth) were written as virtuoso vehicles that allow the soloist to show a variety of abilities on the valveless horns of Mozart's day. The Horn Concertos are characterized by an elegant and humorous dialogue between the soloist and the orchestra. Many of the auto...

    Mozart's earliest composition attempts begin with piano sonatas and other piano pieces, as this is the instrument on which his musical education took place. Almost everything that he wrote for piano was intended to be played by himself (or by his sister, also a proficient piano player). Examples of his earliest works are those found in Nannerl's Music Book.Between 1782 and 1786 he wrote 20 works for piano solo (including sonatas, variations, fantasias, suites, fugues, rondo) and works for piano four hands and two pianos.

    Violin music

    He also wrote for piano and violin. Note the order of the two instruments: for the most part, these are keyboard-centric sonatas where the violin plays a more accompanying role. In later years, the role of the violin grew to not just a support to the other solo instrument, but to build a dialogue with it. The 'Violin Sonatas', KV 10–15, are unique in that they include an ad lib. cello part along with the score for violin and keyboard. The Neue Mozart-Ausgabe (1966) therefore includes them alo...

    String quartets

    1. String Quartet No. 1in G major, "Lodi", K. 80/73f (1770) 2. Milanese Quartets, K. 155–160 (1772–1773) 1. This cycle, in three movements, is interesting as far as these works can be considered precursors of the later—more complete—string quartets. 1.1. String Quartet No. 2in D major, K. 155/134a (1772) 1.2. String Quartet No. 3 in G major, K. 156/134b (1772) 1.3. String Quartet No. 4 in C major, K. 157 (1772–73) 1.4. String Quartet No. 5 in F major, K. 158 (1772–73) 1.5. String Quartet No....

    String quintets

    The string quintets (K. 174, 406, 515, 516, 593, 614), for two violins, two violas and cello. Charles Rosenwrote that "by general consent, Mozart's greatest achievement in chamber music is the group of string quintets with two violas." 1. String Quintet No. 1 in B♭major, K. 174 (1773) 2. String Quintet No. 2 in C minor, K. 406 (516b) – This is a transcription for string quintet of the earlier Serenade for wind octet in C minor, K. 388. (1787) 3. String Quintet No. 3in C major, K. 515 (1787) 4...

    The production for instrumental ensembles includes several divertimenti, cassations, notturni, serenades, marches, and dances, a quodlibet, besides, of course, his symphonies. Mozart's production for orchestra is written for string ensembles (like the early Divertimenti K. 136–138), as well as for wind instruments ensembles and the varied combinations of string and wind.

    Mozart's sacred music is mainly vocal, though also instrumental examples exist, like the Sonate da Chiesa for 2 violins, double bass and organ, composed between 1767 and 1780. His sacred music presents a rich stylistic mosaic: Gregorian choral elements meet rigorous counterpoint, and even operatic elements can sometimes emerge. Stylistic unity and consistency is present over all his sacred music work.

    Fugue in E♭major, K. 153 (375f)
    Fugue in G minor, K. 154 (385k)
    Ouverture in C major, K. 399 (385i)
    Fugue in G minor, K. 401 (375e)

    Oratorio 1. Die Schuldigkeit des ersten Gebots, K. 35 (1767) (Only the first part) 2. Betulia liberata, K. 118/74c (1771) 3. Kommet her, ihr frechen Sünde, Aria (Passionslied) for Soprano in B♭, K. 146/317b (1779) Cantata 1. Grabmusik(Cantata on the Holy Grave of Christ), K. 42/35a (1767) 2. "Dir, Seele des Weltalls", K. 429 (fragment, completed by Maximilian Stadler) (1783) 3. Davide penitente, K. 469/468a (1785) 4. Die Maurerfreude(The Freemason's Joy), K. 471 (1785) 5. Per la ricuperata salute di Ofelia, K. 477a (1785) 6. Kleine Deutsche Kantate: "Die ihr des unermeßlichen Weltalls Schöpfer ehrt" (Little German Cantata), K. 619 (1791) 7. Kleine Freimaurer-Kantate[es]"Laut verkünde unsre Freude" (Little Masonic Cantata), K. 623 (1791)

  5. 6 days ago · The album was released on July 8, 2009 in both a single-disc regular edition (catalog number KICA 985) containing the music as edited for the film, and a special edition (catalog number KICA 983/4) that features an additional disc containing unedited versions of the music and a twenty-page booklet with commentary by Shirō Sagisu, as well as ...

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  6. Sep 03, 2021 · Symphony No. 7 in D minor of 1885, Op. 70, is highly regarded by critics and musicologists; Tovey stated that "along with the four Brahms symphonies and Schubert's Ninth, it is among the greatest and purest examples in this art-form since Beethoven".

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