Search results
On September 20, 2016, it was reported that BMW Films has resurrected the series fourteen years after the original production wrapped, with Clive Owen returning to reprise his role as the Driver. The first episode was revealed to be titled The Escape, which premiered on October 23, 2016, on BMW Films' official website.
- USA
- 2001–2016
- Clive Owen
Film. In 2001 and 2002, BMW produced a series of eight short films called The Hire, which had plots based around BMW models being driven to extremes by Clive Owen. The directors for The Hire included Guy Ritchie, John Woo, John Frankenheimer and Ang Lee. In 2016, a ninth film in the series was released.
- Bayerische Flugzeugwerke AG
- 149,475 (2022)
- 7 March 1916; 107 years ago
- Munich, Germany
The Escape is a 2016 American short action film produced by BMW to promote the car manufacturer's 2017 5 Series. It was directed and co-written by Neill Blomkamp, and stars Clive Owen, Jon Bernthal, Dakota Fanning, and Vera Farmiga.
- Eric Stern, Aristides McGarry, Brian Dilorenzo
- Kristopher Pooley
- October 23, 2016
A list of the short films in the BMW Films series "The Hire", in order, from 2001 'till 2016. Refine See titles to watch instantly, titles you haven't rated, etc. Sort by:
The Dark Knight Rises (2012), La Haine (1995), The Avengers (2012), La grande vadrouille (1966), Iron Man (2008), The Bourne Identity (2002), Forushande (2016), Mission: Impossible - Fallout (2018) ... Let's take a look at the ranked list of the best Bmw movies. #1. The Dark Knight Rises (2012) Rating: 8.4/10. Length: 2h 44min.
May 8, 2020 · May 8, 2020 at 4:43pm ET. By: Chris Bruce. BMW scored a viral video hit in the early 2000s with its The Hire series of short films that put A+ talent in clips staring the brand's machines. Now,...
2016 in film is an overview of events, including the highest-grossing films, award ceremonies, festivals, a list of films released, and notable deaths. Evaluation of the year [ edit ] In his article highlighting the best films of 2016, Richard Brody of The New Yorker stated, "Hollywood is the world's best money-laundering machine.
