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  1. Written on the Wind

    Written on the Wind

    1956 · Drama · 1h 39m

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  1. Jan 18, 1998 · All the reviews of this movie seem to involve lists: It's about wealth, alcoholism, nymphomania, impotence, suicide, and veiled elements of incest and homosexuality. And the theme song, by Sammy Cahn, is sung by the Four Aces. The pieces are in place for a film you can mock and patronize.

  2. Summaries. Alcoholic playboy Kyle Hadley marries the woman secretly loved by his poor but hard-working best friend, who in turn is pursued by Kyle's nymphomaniac sister. On 24 October 1955, the hard-working geologist of the Hadley Oil Company Mitch Wayne meets the executive secretary Lucy Moore in the office of her boss Bill Ryan in New York ...

  3. Written on the Wind is a startling, overheated tale about the schemes and fantasies of a decadent Texas oil family. Robert Stack and sister Dorothy Malone run amuck through the lives of ad executive Lauren Bacall and geologist Rock Hudson.

  4. Frank Skinner. Produced by. Albert Zugsmith. The Technicolor expressionism of Douglas Sirk reached a fever pitch with this operatic tragedy, which finds the director pushing his florid visuals and his critiques of American culture to their subversive extremes.

  5. criterionforum.org › Review › written-on-the-wind-the-criterion-collection-blu-rayWritten on the Wind Review :: Criterion Forum

    Feb 4, 2022 · Featuring an unforgettably debauched, Oscar-winning supporting performance by Dorothy Malone and some of Sirk’s most eye-popping mise-en-scène, Written on the Wind is as perverse a family portrait as has ever been splashed across the screen. Picture 9/10.

  6. Written on the Wind is a 1956 American Southern Gothic melodrama film directed by Douglas Sirk and starring Rock Hudson, Lauren Bacall, Robert Stack, and Dorothy Malone.

  7. Jun 18, 2001 · By Laura Mulvey. Jun 18, 2001. Share. W hen its director, Douglas Sirk, said Written on the Wind was “a film about failure,” he hardly did justice to the way pent-up, unfulfilled sexuality spills onto the screen and into the visual excess that has come to be considered his cinematic signature.

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