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- The Power of the Dog. There’s good reason Jane Campion’s gorgeously filmed, quietly simmering Western is an early favorite to be the big winner come Oscars night.
- Dune. Not since Peter Jackson triumphantly unleashed The Lord of the Rings20 years ago has a filmmaker so brilliantly brought a seemingly unfilmable fantasy novel to the big screen.
- CODA. After becoming the biggest story of the 2021 Sundance Film Festival in January, Sian Heder’s deliriously warm crowdpleaser — a remake of the 2014 French film La Famille Bélier— didn’t quite rock the zeitgeist when premiering on Apple TV+ over the summer (such is the reality of our new fragmented streaming experience).
- Nightmare Alley. The first hour of Guillermo del Toro’s carnival-colored noir may be a slow burn, but that’s because the Oscar-winning Shape of Water director is methodically laying the track for a thrilling roller coaster ride into the depths of madness and despair.
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- Past Lives. Playwright Celine Song’s profound debut draws on her personal experience to follow a writer much like herself, played by Greta Lee with an unerring balance of careful self-possession and emotional transparency, as her childhood crush from Korea (Teo Yoo) resurfaces in her New York life, raising questions about her choices and stirring anxiety for her empathetic husband (John Magaro).
- Poor Things. Yorgos Lanthimos has been irreverently thumbing his nose at genre constraints since his Greek Weird Wave breakout with Dogtooth. But nothing in his unique filmography can compare with the fantastical flights of this inspired riff on Mary Shelley’s Frankenstein.
- All of Us Strangers. There was no tighter ensemble this year than Andrew Scott, Paul Mescal, Jamie Bell and Claire Foy in Andrew Haigh’s dreamy metaphysical ghost story.
- Killers of the Flower Moon. A late masterwork from a revered filmmaker still boldly expanding his legacy at 81, Martin Scorsese’s enthralling account of the ruthless elimination of wealthy Osage landowners in early-1920s Oklahoma is an American history lesson as sobering horror story.
Jun 25, 2021 · Leah Greenblatt is the critic at large at Entertainment Weekly, covering movies, music, books, and theater.She is a member of the New York Film Critics Circle, and has been writing for EW since 2004.
- Leah Greenblatt
- 32 min
Jun 26, 2023 · Hollywood Reporter Critics Pick the 10 Best Films of 2023 So Far. THR’s reviewers choose faves from the first half of the year, including a Michelle Williams-Kelly Reichardt collab, Miles ...
The Boy and the Heron review: Hayao Miyazaki brings back the magic of Ghibli. The acclaimed filmmaker has come out of retirement once again to deliver a moving, magical new tale that celebrates the...
Jan 19, 2023 · Each voter submitted their own list ranking 25 movies that premiered to the public during the 2022 calendar year. The AP encouraged each panelist to exercise their own interpretation of “best...