Search results
Julie Hébert (sometimes credited as Julie Hebert) is an American writer/director of theater, film and television . Biography. Julie Hébert grew up in a small town on the Louisiana coast and many of her plays are set there. After college she moved to San Francisco.
Apr 12, 2023 · Julie Hébert is an award-winning writer and director of theater, film and television. film Julie’s work for film has been praised as “intriguingly complex” (Variety) and “pulsing with veracity” (LA Times), with “a raw power that is impossible to dismiss” (Roger Ebert).
Julie Hébert is an award-winning writer/director/producer of television, film and theater. Of Cajun descent, she grew up on the Gulf Coast of Louisiana. Hébert has written and directed such hit shows as American Crime (2015), Boss (2011), The West Wing (1999), ER (1994), among other shows.
- Producer, Writer, Director
- Julie Hébert
Julie has written and directed for several hit television shows including Nashville, The Good Wife, Boss, Blue Bloods, The West Wing, ER, Numb3rs and most recently the Emmy Award-winning American Crime, where she is an Executive Producer.
Julie has written and directed for hit shows ER, The West Wing, Third Watch and Numb3rs, and written the screenplays for “Ruby’s Bucket of Blood,” based on her play; “Female Perversions,” inspired by a psychiatric textbook; and "Lying Awake," adapted from Mark Salzman's best-selling novel.
Julie Hébert is an award-winning writer/director/producer of television, film and theater. Of Cajun descent, she grew up on the Gulf Coast of Louisiana. Hébert has written and directed such hit shows as American Crime (2015), Boss (2011), The West Wing (1999), ER (1994), among other shows.
May 25, 2021 · When a woman talks about another woman she loves and reveres, she’s telling us about herself — what she values, what she holds most dear. That intimacy, that openness makes the viewer remember the story. Our storytellers are as remarkable as their subjects. Where we are in life is often partly because of others.
