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  1. I Can See Your House from Here is the seventh studio album by English progressive rock band Camel. Released in 1979, a new line up was introduced with founding members Andrew Latimer (guitar) and Andy Ward (drums) joined by bassist Colin Bass (to replace Richard Sinclair ) and keyboardists Jan Schelhaas (who joined in 1978 for the Breathless ...

  2. Camel - I Can See Your House From Here (1979) Very best prog rock (Art rock) 1.78K subscribers. 47. 3.3K views 2 years ago. ★Introducing only the very best art rock progressive rock...

    • 10 min
    • 3.2K
    • Very best prog rock (Art rock)
  3. This page includes I Can See Your House From Here's : cover picture, songs / tracks list, members/musicians and line-up, different releases details, free MP3 download (stream), buy online links: amazon, ratings and detailled reviews by our experts, collaborators and members.

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  4. In that context, I Can See Your House From Here is a triumph, prescient in some spots (“Wait” is about gambling, the theme for APPs next album), tuneful at every turn, made approachable by a newfound sense of humor, and possessed of some lovely instrumentals (“Ice,” “Eye of the Storm”).

  5. “I Can See Your House From Here” was a revitalised work that included many fine songs such as ‘Ice’ (featuring Phil Collins on Percussion), ‘Hymn To Her’ and ‘Your Love is Stranger Than Mine’. Produced by Rupert Hine, the album was a chart success and spawned an extensive World tour.

    • 5013.9B
    • Classic Rock, Progressive, Rock
    • CD
    • Esoteric
  6. I Can See Your House From Here, an Album by Camel. Released 29 October 1979 on Decca (catalog no. TXS-R 137; Vinyl LP). Genres: Progressive Rock, Progressive Pop, Pop Rock. Rated #600 in the best albums of 1979.

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  8. I Can See Your House From Here is perhaps the most neutral album in the 1970’s; it lacks the theatricality and style of the first four albums, the melodic charm of Rain Dances and the subtle appeal of Breathless – there are clearly good songs and obvious standouts, some really good ones, even, but it’s mostly surface-level, an album that ...