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The practice of writing music in score dates from the schools of polyphony (many-voiced music) in the early Middle Ages but declined during the 13th–16th century.
Sep 11, 2023 · As the decades rolled on, film scores expanded into various genres of music. Rock, pop, and hip-hop began to feature prominently in films, adding new dimensions to storytelling. Iconic soundtracks like "Saturday Night Fever" and "Pulp Fiction" demonstrated the versatility of film music.
Over the next four weeks, you will begin to understand how music is written down, what a musical score is and what it does. You will also learn how musicians use and interpret musical scores in their work. By the end of this course you will understand what music notation does and some aspects of how it works.
- The Silent Era
- The Golden Age
- Film Music Branches Out
- Pop, Jazz and Westerns
- Synths and John Williams
- More Synths, More Fun
- The Kitchen Sink
During the silent era, films music is provided by each individual theater, either by phonograph or as performed live by flesh-and-blood musicians. In the later case, either a pianist improvises to the film or a small ensemble of musicians performs a classical piece, in the background, as the film plays. But! Once the ability to synchronize music an...
This is a unique period in the history of film scoring. Exploding with creativity, music written for the movies consistently matches the artistry of the films themselves. Composers during this period primarily come from backgrounds in concert music, and almost exclusively write orchestral pieces. Here are a few highly influential composers from the...
1951.A Streetcar Named Desirefeatures a hybrid symphonic-jazz score by composer Alex North. This is a major step forward for film music, moving Hollywood film scoring away from its prior, exclusively European sound. 1952. High Noonfeatures the song “Oh My Darling,” which proves instrumental in the commercial promotion of the film. Following the suc...
Elmer Bernstein’s score for The Magnificent Seven (1960) and Ennio Morricone’s work on Sergio Leone’s Dollars Trilogy(1964-966) are among several new, now-classic Western scores. Jazz composers Henry Mancini and Lalo Schifrin—best known, respectively, for The Pink Panther film series (1963 onward) and CBS’s Mission Impossible (1966-1973)—do their p...
In the 1970s New Hollywood era, film music heads in two concurrent, divergent directions with the incorporation of synthesizers and a return to classic scoring. 1973. Director/composer John Carpenter’s synthesizer score for Dark Star expands the soundtrack world beyond symphonic, jazz and pop music, introducing a brand new vocabulary of computerize...
The 1980s are full of song-laden soundtracks, like the ones for Flashdance (1983) andFootloose (1984). Elsewhere, orchestral scores play second fiddle, so to speak, to the original songs featured like Ghostbusters (Ray Parker Jr.) and Back to the Future (Huey Lewis). John Williams continues the Golden Age tradition with the iconic scores for E.T. (...
As film scoring has grown into its own distinct art form, movies have continued to incorporate almost every genre of music imaginable. While symphonic scores remain popular, there are plenty of projects that eschew orchestral music altogether. The proliferation of synthesizers in the 1980s, and later digital audio workstations and virtual instrumen...
Theatre music - Musicals, Songs, Scores: When, in the 1930s and ’40s, dancing became an integral element in a genre governed chiefly by song—instead of being merely a diversion—the “musical” established itself as the legitimate theatrical heir to “musical comedy” and a form of popular theatre art that dominated the latter half of ...
Jan 13, 2016 · The first score to meet this criteria was the score for La mort du duc de Guise/The Assassination of the Duke of Guise, released in 1908 and composed by the great French composer Camille Saint-Saens (1835-1921).
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Feb 24, 2012 · By the time of D.W. Griffith’s Birth of a Nation (1915), scores were being assembled from existing music to fit the stories of motion pictures, and performed live by full orchestras—at least in the more extravagant theaters. With a battery of blocks, bells and whistles, the drummers in these orchestras were the first sound-effects men.
