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Blowup (also styled Blow-Up) is a 1966 psychological mystery [3] film directed by Michelangelo Antonioni, co-written by Antonioni, Tonino Guerra and Edward Bond [4] and produced by Carlo Ponti. It is Antonioni's first entirely English-language film and stars David Hemmings, Vanessa Redgrave and Sarah Miles.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. Then he meets a mysterious beauty, and also notices something frightfully suspicious on one of his photographs of her taken in a park.
Blow-Up (1966) cast and crew credits, including actors, actresses, directors, writers and more.
Nov 8, 1998 · The twentysomethings who bought tickets for “Blow-Up” are now focused on ironic, self-referential slasher movies. Americans flew to “swinging London” in the 1960s; today’s Londoners pile onto the charter jets to Orlando.
Exquisitely shot and simmering with unease, Michelangelo Antonio's Blow-Up is an enigma that invites audiences to luxuriate in the sensual atmosphere of 1960s London chic. Read Critics Reviews
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- Crime, Drama
Antonioni's Blow-Up was the biggest hit of the Italian director's career, the superficial elements of the fashion world, Swinging London and orgies on purple paper ensuring its commercial success.
Directed by Michelangelo Antonioni. With David Hemmings, Vanessa Redgrave and Sarah Miles.Blow Up Blu-ray (Amazon) https://amzn.to/4bNksgbBlow Up Blu-ray (Cr...
Blow-Up. 1966 · 1 hr 52 min. TV-MA. Drama · Crime · Thriller. A fashion photographer who casually takes a somewhat voyeuristic shot of a man and a woman in an embrace comes to discover he captured a murder. Subtitles: English.
By Sven Mikulec In 1966, the Italian maestro Michelangelo Antonioni, already famous as one of the most prominent European auteurs of his time, reached a far wider audience with his second film made in color, and the first one in the English language. There are multiple reasons why Blow-Up achieved the success it did.
Blow-Up. In 1966, Michelangelo Antonioni transplanted his existentialist ennui to the streets of swinging London for this international sensation, the Italian filmmaker’s first English-language feature.
