Loafer
1973
Search results
19 hours ago · The film's visual tone is notably dark, with Om Prakash’s cinematography enhancing the moody and atmospheric scenes, adding depth to the viewing experience. Verdict . Despite following a conventional storyline template, Raayan stands out in the second half due to its finely-tuned emotional depth and Dhanush’s masterful handling of the ...
10 hours ago · Dhanush's 50th film is visually spectacular. The silhouette shots, interval block and the climax fight look brilliant, thanks to the cinematography by Om Prakash. If Dhanush is one of the pillars of 'Raayan', AR Rahman is another pillar, who shoulders the film. His background score and songs are perfect for it. 'Raayan' is a riveting thriller.
8 hours ago · After making decent directorial debut with Pa Paandi in 2017, Dhanush returns to direction. He chooses his 50th film Raayan as his second directorial. Dhanush also penned and sung a song in this film. The film is ably supported by talented technicians - AR Rahman's music, Om Prakash's camera work and Peter Hein's action stunts. Let's find out what Raayan offers and whether it is impresses or ...
People also ask
Who is Om Prakash?
What is Omprakash?
What is the story of Om Prakash?
Who is Om Prakash Singh?
7 hours ago · However, even during the insipid events in the second half — which is just one bloody kill after the other — A. R. Rahman’s terrific background music and Om Prakash’s cinematography keep ...
19 hours ago · As much as Dhanush doubling up as director and actor saves Raayan from its faltering writing, AR Rahman’s background score, Om Prakash’s cinematography and Jacki’s production design elevate the making of the film, which almost makes sure Chennai becomes a character in Raayan.
5 hours ago · Editor GK Prasanna and cinematographer Om Prakash make the film come alive, especially in the scenes where there is a lot happening, and yet, we keep track of every single movement. The dance choreography by Prabhudeva and Baba Baskar is high on style but never compensating on raw emotions. Special mention to Peter Hein for the stunt choreography.
One must mention the work of DOP Om Prakash and editor Prasanna GK here. The striking visuals and sharp cuts and close ups in the film enhance the blow (literally and figuratively) it seeks to ...
