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Spencer Eastman was born on 4 September 1940. He was a writer, known for Kansas (1988), War Party (1988) and Night Game (1989). He was married to Carol Potter. He died on 19 April 1988 in Los Angeles, California, USA.
- Writer
- September 4, 1940
- Spencer Eastman
- April 19, 1988
Spencer Eastman was born on 4 September 1940. He was a writer, known for Kansas (1988), War Party (1988) and Night Game (1989). He was married to Carol Potter. He died on 19 April 1988 in Los Angeles, California, USA.
- September 4, 1940
- April 19, 1988
- Age, Biography and Wiki
- Spencer Eastman Height, Weight & Measurements
- Spencer Eastman Net Worth
Spencer Eastmanwas born on 4 September, 1940 in 1940, is a Writer. Discover Spencer Eastman's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of Spencer Eastman networth? We recommend you to check the complete list of Famou...
At 48 years old, Spencer Eastman height not available right now. We will update Spencer Eastman's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Her net worth has been growing significantly in 2022-2023. So, how much is Spencer Eastman worth at the age of 48 years old? Spencer Eastman’s income source is mostly from being a successful Writer. She is from . We have estimatedSpencer Eastman's net worth, money, salary, income, and assets.
- 48 years old
- writer
- 4 September, 1940
- Virgo
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Spencer Eastman is known as an Writer, Screenplay, and Story. Some of their work includes Night Game, Kansas, Hide in Plain Sight, and A Death in Canaan.
Aug 13, 1977 · LOS ANGELES—In April 1978, 36‐year‐old Spencer Eastman sat down to write the first page ce his first screen play. Sixteen months later, Eastman has sold two original screenplays.
Oct 7, 2011 · Using film as a political allegory of the state of American society in the mid to late ’80s, I argue that Stevens and screenwriter Spencer Eastman use many cinematic devices to criticize the Reagan ideology: specifically of the Great Communicator’s iconography, related to the image of paternal masculinity.
