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Judith and Garfield Reeves-Stevens are a New York Times-bestselling husband-and-wife writing/producing team. In June, 2013, at the Constellation Awards ceremony in Toronto, the writing couple were honored with the Constellation Award for "Outstanding Canadian Contribution to Science Fiction Film or Television" for their role in creating the ...
Judith & Garfield Reeves-Stevens are the husband and wife team that is known for the writing and producing of several fantasy fiction novels and movie franchises. In 2013 the team was recognized with a Constellation Award at the Toronto Constellation Award ceremony.
Judith Reeves-Stevens. Writer: Primeval: New World. Judith & Garfield Reeves-Stevens are a writing/producing team who have created, written, and produced television in the United States, Canada, and Australia, and have been honored with a Constellation Award for "Outstanding Canadian Contribution to Science Fiction Film or Television" for ...
- Writer, Additional Crew, Producer
- Judith Reeves-Stevens
Judith Reeves-Stevens. Writer: Primeval: New World. Judith & Garfield Reeves-Stevens are a writing/producing team who have created, written, and produced television in the United States, Canada, and Australia, and have been honored with a Constellation Award for "Outstanding Canadian Contribution to Science Fiction Film or Television" for ...
Judith Reeves-Stevens (born 14 March 1944; age 80), together with her husband Garfield Reeves-Stevens, is one of Star Trek's best-selling original book writers. Together, the Reeves-Stevens' wrote or co-wrote five episodes of Star Trek: Enterprise's fourth season.
Judith Reeves-Stevens wrote A Bad Feeling: The Tale of EV-9D9 as part of Tales from Jabba's Palace and One Last Night in the Mos Eisley Cantina: The Tale of the Wolfman and the Lamproid as part of Tales From the Mos Eisley Cantina with co-author and husband Garfield Reeves-Stevens.
Judith and Garfield worked with more than seventy scientific and technical advisors to create the dramatic story of the first human mission to Mars in the year 2031. The Toronto Star praised the miniseries as “a tautly written tale that simply zings with tension… a dramatic winner.”
