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Doctor Zhivago
- Best Cinematography, Color: Doctor Zhivago – Freddie Young (WINNER) The Agony and the Ecstasy – Leon Shamroy The Great Race – Russell Harlan The Greatest Story Ever Told – William C. Mellor (posthumous nomination) and Loyal Griggs The Sound of Music – Ted D. McCord
popculturemadness.com › 1966-oscars-38th-academy-awards
* Cinematography (Color) - Freddie Young * Costume Design (Color) - Phyllis Dalton * Music (Music Score--substantially original) - Maurice Jarre
The 38th Academy Awards, honoring the best in film for 1965, were held on April 18, 1966, at the Santa Monica Civic Auditorium in Santa Monica, California. They were hosted by Bob Hope, and were the first Oscars to be broadcast live in color.
Feb 5, 2014 · HONORARY AWARD. To Y. Frank Freeman for unusual and outstanding service to the Academy during his thirty years in Hollywood. To Yakima Canutt for achievements as a stunt man and for developing safety devices to protect stunt men everywhere.
Apr 14, 2020 · The Winner and Nominees for the 1966 Academy Awards - Cinematography (Color) Film award!
The 39th Academy Awards, honoring the best in film for 1966, were held on April 10, 1967, hosted by Bob Hope at the Santa Monica Civic Auditorium in Santa Monica, California. In a rare occurrence during the period with five Best Picture nominees, only two were nominated for Best Director this year: Fred Zinnemann for A Man for All Seasons (the ...
Best PictureBest DirectorA Man for All Seasons – Fred Zinnemann, ...Fred Zinnemann – A Man for All Seasons ‡ ...Paul Scofield – A Man for All Seasons as ...Elizabeth Taylor – Who's Afraid of ...Walter Matthau – The Fortune Cookie as ...Sandy Dennis – Who's Afraid of Virginia ...A Man and a Woman – Screenplay by Claude ...A Man for All Seasons – Robert Bolt based ...Bob Hope hosted the first color broadcast of the Oscars as the 38th Annual Academy Awards took place on Monday, April 18th, 1966. One of the evening’s highlights featured dancers Cyd Charisse and James Mitchell performing to the music of George Gershwin and Leonard Bernstein.
Best Cinematography, Color: Ted Moore; Best Cinematography, Black & White: Haskell Wexler; Best Music (Score): John Barry; Best Scoring of Music (adaptation or treatment): Ken Thorne; Best Song: John Barry, Don Black ("Born Free") Best Art Direction, Color: Jack Martin Smith, Dale Hennesy, Walter M. Scott, Stuart A. Reiss
