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Memorial plaque for the filmmusic composer Genter in Neustadt am Rennsteig. Willy Schmidt-Gentner (6 April 1894 – 12 February 1964) was one of the most successful German composers of film music in the history of German-language cinema. He moved to Vienna in 1933. At his most productive, he scored up to 10 films a year, including numerous ...
Willy Schmidt-Gentner. Composer: Der Meister der Welt. Willy Schmidt-Gentner was born on 6 April 1894 in Neustadt am Rennsteig, Thuringia, Germany. He was a composer and director, known for Der Meister der Welt (1927), Woman in the Moon (1929) and Seine Tochter ist der Peter (1936).
- Composer, Music Department, Director
- April 6, 1894
- Willy Schmidt-Gentner
- February 12, 1964
Willy Schmidt-Gentner. Willy Schmidt-Gentner, geborener Wilhelm Schmidt, (* 6. April 1894 in Neustadt am Rennsteig; † 12. Februar 1964 in Wien) war einer der erfolgreichsten deutschen Filmkomponisten. In seinen produktivsten Zeiten vertonte der 1933 nach Wien übergesiedelte Komponist bis zu zehn Filme jährlich – darunter zahlreiche ...
Willy Schmidt-Gentner. Born: 6th April 1894, Neustadt am Rennsteig, Germany. Died: 12th February 1964, Vienna, Austria. Nationality: German. Willy Schmidt-Gentner was one of the most successful German composers of film music in the history of German-language cinema. He moved to Vienna in 1933. At his most productive, he scored up to 10 films a ...
M. Madame Wants No Children (1926 film) Maskerade (film) The Master of Nuremberg. Mata Hari (1927 film) The Mill at Sanssouci. My Friend the Chauffeur.
Willy Schmidt-Gentner is known as an Music, Original Music Composer, Music Director, Director, Actor, Music Supervisor, and Music Coordinator. Some of his work includes Sunrise: A Song of Two Humans, Woman in the Moon, The Lost One, A Throw of Dice, The Student of Prague, Masquerade in Vienna, Carnival Story, and Children of No Importance.
Willy Schmidt-Gentner (6 April 1894 – 12 February 1964) was one of the most successful German composers of film music in the history of German-language cinema. He moved to Vienna in 1933. At his most productive, he scored up to 10 films a year, including numerous classics and masterpieces of the German and Austrian cinema.
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