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Florian Maria Georg Christian Graf Henckel von Donnersmarck (German: [ˈfloː.ʁi.aːn ˈhɛŋ.kl̩ fɔn ˈdɔ.nɐsˌmaʁk] ⓘ; born 2 May 1973) is a German film director. He is best known for writing and directing the 2006 dramatic thriller Das Leben der Anderen ( The Lives of Others ) , which won the Academy Award for Best Foreign Language ...
Florian Henckel von Donnersmarck. Director: The Lives of Others. As the son of a Lufthansa manager, Henckel von Donnersmarck spent his childhood and school years in New York, Berlin, Frankfurt am Main and Brussels, where he passed his international high school diploma in 1991.
- January 1, 1
- 2.05 m
- Cologne, North Rhine-Westphalia, Germany
Florian Maria Georg Christian Graf Henckel von Donnersmarck ist ein Filmregisseur, Drehbuchautor und Filmproduzent. Er entstammt dem altschlesischen Adelsgeschlecht Henckel von Donnersmarck und besitzt neben der deutschen auch die österreichische Staatsbürgerschaft. 2007 wurde sein Spielfilm Das Leben der Anderen mit dem Oscar in der ...
Florian Henckel von Donnersmarck. Director: The Lives of Others. As the son of a Lufthansa manager, Henckel von Donnersmarck spent his childhood and school years in New York, Berlin, Frankfurt am Main and Brussels, where he passed his international high school diploma in 1991.
- May 2, 1973
Never Look Away (German: Werk ohne Autor, lit. 'Work Without [an] Author') is a 2018 German epic coming-of-age romantic drama film written and directed by Florian Henckel von Donnersmarck. It was nominated for a Golden Lion at the 75th Venice International Film Festival and for a Golden Globe by the Hollywood Foreign Press Association.
Oct 3, 2018 · Never Look Away: Directed by Florian Henckel von Donnersmarck. With Tom Schilling, Sebastian Koch, Paula Beer, Saskia Rosendahl. German artist Kurt Barnert has escaped East Germany and now lives in West Germany, but is tormented by his childhood under the Nazis and the GDR-regime.
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Jan 14, 2019 · Florian Henckel von Donnersmarck’s new movie, inspired by Gerhard Richter, blurs the line between fiction and biography. Richter says that it goes too far, Dana Goodyear writes.
