Mortal Kombat
2021
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Ng Chin Han [1] (Chinese: 黄经汉; pinyin: Huáng Jīnghàn; born 27 November 1969) is a Singaporean stage, film, and television actor whose career has spanned more than 20 years.
Chin Han's latest movie is the $125 million action-disaster pic Skyscraper from Universal where he stars alongside Dwayne Johnson and Neve Campbell. He is currently filming the highly anticipated Mortal Kombat for New Line.
Chin Han (秦漢; born 24 April 1946), is a Taiwanese actor whose birth name is Sun Siang-chong (孫祥鐘), and got his first stage name Kang Kai (康凱) from Li Han-Hsiang (李翰祥) at the beginning of his acting career.
Chin Han is a Singaporean American actor known for his roles in Dark Knight, Ghost in the Shell and televisions series such as Marco Polo. Beginning as a teen actor in stage classics like Moliere's L'Ecole des femmes and Shakespeare's Twelfth Night, he went on to star in Singapore's first English language television series Masters of the Sea.
May 17, 2023 · “Chin Han saved my life,” says the 46-year-old Singapore-based Yeo, who won Best Actress and Best Supporting Actress at Taiwan’s Golden Horse Awards for Singaporean films Wet Season...
Birthday: Nov 27, 1969. Birthplace: Singapore. One of Singapore's most successful acting exports, Chin Han was perhaps best-known for his small but significant appearances in blockbusters...
50K Followers, 131 Following, 726 Posts - Chin Han (@thechinhan) on Instagram: "IT HAS BEGUN".
Jul 27, 2018 · ‘Skyscraper’ Actor Chin Han Looks Back on His First Hollywood Film Role. By Christi Carras. Illustration: Michael Hoeweler. Chin Han remembers the days when he had to hang up his costumes...
Jul 12, 2018 · Ng Chin Han, known simply as Chin Han, is a face you may recognize in blockbuster films like The Dark Knight, 2012, Contagion, Captain America: The Winter Soldier, Independence Day: Resurgence, Ghost in the Shell and now, in this weekend’s Skyscraper. The actor is no stranger to the Hollywood life, but also stays true to his Singaporean roots.
Jul 14, 2016 · Chin Han is hopeful that the emergence of a global box office, as opposed to “domestic” and “international” box offices, will engender change.
