Da 5 Bloods
2020
Search results
Mélanie Thierry began her career as a model in France, then moved into acting. She began with a series of roles in French productions, and at the age of 17 appeared in the internationally distributed The Legend of 1900.
Mélanie Thierry was born on 17 July 1981 in Saint-Germain-en-Laye, Yvelines, France. She is an actress and director, known for The Zero Theorem (2013), Da 5 Bloods (2020) and Babylon A.D. (2008).
112K Followers, 559 Following, 382 Posts - Mélanie Thierry (@melaniethierry) on Instagram: "".
Mélanie Thierry was born on 17 July 1981 in Saint-Germain-en-Laye, Yvelines, France. She is an actress and director, known for The Zero Theorem (2013), Da 5 Bloods (2020) and Babylon A.D. (2008).
Sep 6, 2013 · Melanie Thierry talks about playing Bainsley in 'The Zero Theorem' prior to it's international premiere at the 70th Venice International Film Festival.
Mélanie Thierry began her career as a sought-after child and teen model in France, then moved into acting. She began with a series of roles in French productions, choosing her parts carefully as most of them were critically acclaimed.
Mélanie Thierry, née le 17 juillet 1981 à Saint-Germain-en-Laye (Île-de-France), est une actrice et mannequin française. Après plusieurs seconds rôles à la télévision elle est révélée par son rôle de Léa dans le thriller Écorchés de Cheyenne Carron en 2005.
A stunningly attractive French actress who started out as a young model, Mélanie Thierry is renowned in her homeland as a leading lady, but has also branched out to international productions.
Aug 13, 2018 · Interview with Mélanie Thierry, Star of La Douleur. Mélanie Thierry shines as trailblazing novelist Marguerite Duras in La Douleur – off-screen, however, Marion Sauvebois meets a profoundly sensitive and quietly determined soul. “I’m naturally shy and I don’t communicate very well or easily,” says Mélanie Thierry, sotto voce.
May 22, 2019 · Mélanie Thierry’s formidable performance at the centre of Emmanuel Finkiel’s Memoir of War – based on Marguerite Duras’ 1985 piece of “auto-fiction”, La Douleur – sees the actress ingesting the spirit of the great French radical writer rather than offering a studied copy of her mannerisms.
