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  1. The Damned ( Götterdämmerung) ( Italian: La caduta degli dei, lit. 'The Fall of the Gods') [a] is a 1969 historical-drama film directed and co-written by Luchino Visconti, and starring Dirk Bogarde, Ingrid Thulin, Helmut Berger, Helmut Griem, Umberto Orsini, Charlotte Rampling, Florinda Bolkan, Reinhard Kolldehoff and Albrecht Schönhals in ...

    • Henry Bacon
    • 1998
  2. The Damned: Directed by Luchino Visconti. With Dirk Bogarde, Ingrid Thulin, Helmut Griem, Helmut Berger. The dramatic collapse of a wealthy, industrialist/Junker family during the reign of the Third Reich.

    • (9.9K)
    • Drama, War
    • Luchino Visconti
    • 1969-12-18
  3. The most savagely subversive film by the iconoclastic auteur Luchino Visconti employs the mechanics of deliriously stylized melodrama to portray Nazism’s total corruption of the soul. In the wake of Hitler’s ascent to power, the wealthy industrialist von Essenbeck family and their associates—including the scheming social climber Friedrich (Dirk Bogarde), the conniving matriarch Sophie ...

    • Frederick Bruckmann
  4. Apr 17, 2021 · The final running time of The Damned in the film’s initial premiere in Brussels on 2 October 1969 was a mammoth 156 minutes; after its American premiere on 18 December 1969 it was nominated for an Academy Award (for Best Writing, Story and Screenplay Based on Material Not Previously Published or Produced, shared with Visconti’s co-authors ...

  5. It is here where The Damned (1969) resides, a film that won the director his sole Academy Award® nomination (for Best Screenplay), and is both celebrated and, well, damned, depending on the critic; even so, most agree it is a memorable and ambitious affair.

  6. The Damned (1969) The Damned (1969) View more photos Movie Info. Synopsis A steel-magnate baroness (Ingrid Thulin), her lover (Dirk Bogarde) and her son (Helmut Berger) embody Nazi depravity.

    • (19)
    • Drama, LGBTQ+
    • R
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  8. The Damned is crazy, disturbing and heart-wrenching. As a grim insight into the 1930s Germany where nazis had just took over power, Luchino Visconti opted for a microscopic approach, reflecting the madness of the German society as a whole, through the entry point of a high class German family, where family members are vying for power and control even at the cost of each other's life, and the ...

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