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  1. Explore Museum of the Moving Image with our digital guide on Bloomberg Connects, the free arts and culture app. Use the app for exclusive multimedia perspectives from curators, educators, and more. Use the app to plan your visit, then easily access helpful insights on-site.

  2. Since its opening in 1988, Museum of the Moving Image has been recognized as a major, internationally reputed institution and the only museum in the United States dedicated to exploring the art, history, and technology of the moving image.

  3. A one-of-a-kind destination for audiences of all ages and interests, Museum of the Moving Image is the country’s only museum dedicated to the art, history, technique, and technology of the moving image in all its forms. Embracing a wide range of subjects, MoMI explores every phase of the production, promotion, and exhibition of moving images.

  4. The Museum of the Moving Image is focused on art, history, technique and technology of film, television, and digital media. It collects, preserves, and provides access to moving-image related artifacts via multimedia exhibitions and educational programming. [4] The exhibits include significant audio/visual components designed to promote an ...

  5. Jan 2, 2022 · BOOK YOUR TICKET TO VISIT THE MUSEUM (AVAILABLE THROUGH JANUARY 2, 2022). Museum of the Moving Image is the country's only museum dedicated to the art, history, technique, and technology of the moving image in all its forms.

  6. The Museum's signature series focuses on films that push cinematic style into excess Through Dec 19 Animating The Grinch Sketches, animation cels, and backgrounds from Chuck Jones's 1966 adaptation of the classic book by Theodor Geisel Opens Nov 19 The Jim Henson Exhibition Featuring more than 300 objects, including puppets, relating to the ...

  7. The Museum maintains the nation's largest and most comprehensive collection of artifacts relating to the art, history, and technology of the moving imageone of the most important collections of its kind in the world.

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