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Maximilian Alexandrovich Kirienko-Voloshin (Russian: Максимилиа́н Алекса́ндрович Кирие́нко-Воло́шин; May 28, [O.S. May 16] 1877 – August 11, 1932), commonly known as Max Voloshin, was a Russian poet.
The speaker marvels at Maya's ethereal presence, describing her as a "noon mirage" or "sweet deception." The poem's imagery and language are reminiscent of Symbolism, conveying subjective experiences and transcending the ordinary.
Apr 17, 2014 · This line by poet Maximilian Voloshin (1877-1932) has been on the mind of many people in recent weeks, as Ukraine wrestles with an era of deep unrest and confrontation over its future. Right...
Maximilian Voloshin’s clear understanding of the human condition enabled him to see past the thick illusion of events of his own Russian nation – the revolution and civil war that lead to the creation of the Soviet Union.
This fascinating study aims to make a case for Maximilian Voloshin as a figure who might embody a new identity for Russia as a tolerant, free, and open society. Its appearance shortly after Russia's annexation of Crimea in 2014 is timely: Voloshin and his legacy are strongly attached to Crimea.
First, she restores Maksimilian Voloshin to his rightful place as one of the major Russian poets of the early part of the twentieth century, providing sensitive, diligently contextualized readings of his powerful post-Revolutionary works.
Jan 4, 2017 · Maximilian Voloshin (1877-1932) was a Ukrainian-born Russian poet. He became famous as a poet and a critic of literature and the arts, being published in many contemporary magazines of the early 20th century, including Vesy, Zolotoye runo (‘The Golden Fleece’), and Apollon.
Maximilian Alexandrovich Kirienko-Voloshin (May 28, 1877 - November 8, 1932) was a Russian poet and famous Freemason. He was one of the significant representatives of the Symbolist movement in Russian culture and literature.
May 31, 2017 · Among the many geniuses of the Russian Silver Age, the name Maximilian Voloshin can sometimes be overlooked. His verses are not quoted all that frequently, and his aquarelles, though recognized, are not widely reproduced for sale.
Maximilian Voloshin 's poems about Russia and the Red Terror in the Crimea3 enjoyed an extraordinary success among Russians of all political affiliations during the 19 17-1 920s both in Russia and abroad.4 Banned during the tight-ening of Soviet censorship in the late 1920s, these poems survived in samiz-1.
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