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Andrea del Verrocchio's bronze statue of David was most likely made between 1473 and 1475. It was commissioned by the Medici family. It is sometimes claimed that Verrocchio modeled the statue after his pupil Leonardo da Vinci.
- Introduction
- Description
- The Story of David
- Leonardo as Model
- Meaning
- Condition
- Restoration
- Alterations
- Alternative Versions of David
- Overview of Florentine Sculpture
- GeneratedCaptionsTabForHeroSec
The story of David would inspire many sculptures and paintings during the Italian Renaissance, with Christian themes being prevalent within art at this time. It would be the specific tale of David overcoming Goliath that would be featured most often, as artists looked to harness this powerful tale as inspiration for their own work. Even just within...
The status of David features the figure standing proudly with the head of his victim placed by his feet. He leans slightly to the left, with his hand perched on his waist. In his opposing hand a small knife can be seen. The artist includes details of his clothing, as well as his impressive physical figure, which includes a toned body and athletic p...
David rose from a simple shepherd to become King of Israel. His story is told in the Hebrew Bible and several episodes from his life would later inspire artists from around the world. His slaying of Goliath would mark his arrival as a prominent figure and also taught us all about what can be possible in life. Most artists have tended to focus on Da...
For the statue figure, the artist may have used a young Leonardo da Vinci, who was a newcomer in his workshop. This view has not been entirely confirmed, however, but has appeared several times in accounts of the sculptor's career. Leonardo's father was friends with Verrocchio but his son's admission to the studio is believed to have been entirely ...
The statue was meant to be a symbol of Florence as a rising power. The bronze statue was first installed in 1476 in the Palazzo Vecchio and then placed in Florence's National Museum of the Bargello. The statue was ordered by Piero de Medici and later sold to the Signora, which was the ruling authority in Florence, Italy. It earned a republican repr...
Many bronze sculptures were gilted during this period but later lost this effect from the pollution in which they were displayed. Perhaps the best example of this would be Lorenzo Ghiberti's North Doorswhich had almost completely lost their gilted finish by the time they were moved indoors and replaced outside by copies. Thankfully today preservati...
The muscular bronze figure of David clothed in military-inspired garments was the first of Verrocchio's masterpieces. The Bargello Art Museum collaborated with the High Art Museum in the USA to restore the statue and highlight the craftsmanship with which it was executed by the artist. The restoration coordinated by Bargello's curator Ludovica Nico...
Restorers have found that David's 10-inch straight sword is not the original. Art historians believe that David originally had a curved blade. Cutting-edge laser technology was used to remove black varnish and dirt which was covering the fine gilding without loosening any of the original flakes of gold. The restorers discovered that the gold leaf w...
Previous representations of David represented a vigorous and strong warrior; however, Verrocchio's approach was different. He presents David as a young, ambitious and arrogant boy whose posture reveals his personality traits. The precision with which he holds the sword in his right hand and the placing of his left hand on his right hip show the pro...
Florence played a key role in the Italian Renaissance, leading the way in bringing exciting new innovations to the art world. One must remember that the Renaissance itself came in several periods within Italy, but was also going on elsewhere, such as with the North Europeans who brought about the use of oils, for example. There were several other c...
Learn about the masterpiece of Renaissance sculpture by Andrea del Verrocchio, depicting the biblical hero David after slaying Goliath. Discover the possible identity of the model, the symbolism of the statue and the context of the Italian Renaissance.
Learn about Andrea del Verrocchio, a Florentine artist who created sculptures and paintings for the Medici family and other patrons. See his works, including the bronze David and the Putto with a Dolphin, and compare them with those of his predecessors and followers.
Apr 12, 2024 · Andrea del Verrocchio (born 1435, Florence [Italy]—died 1488, Venice) was a 15th-century Florentine sculptor and painter and the teacher of Leonardo da Vinci. His equestrian statue of Bartolomeo Colleoni, erected in Venice in 1496, is particularly important.
- Günter Passavant
Through association with the biblical David, the Medici proclaimed themselves righteous rulers and protectors of Florence. Andrea del Verrocchio, David with the Head of Goliath, c. 1465, bronze with partial gilding, Museo Nazionale del Bargello, Florence.
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Dec 6, 2023 · Verrocchio, David with the Head of Goliath. by Dr. Beth Harris and Dr. Steven Zucker. Andrea del Verrocchio, David with the Head of Goliath, c. 1465, bronze with gilding, 126 cm high (Museo Nazionale del Bargello, Florence)
Andrea del Verrocchio (/ v ə ˈ r oʊ k i oʊ / və-ROH-kee-oh, US also /-ˈ r ɔː k-/- RAW-, Italian: [anˈdrɛːa del verˈrɔkkjo]; born Andrea di Michele di Francesco de' Cioni; c. 1435 – 1488) was an Italian sculptor, painter and goldsmith who was a master of an important workshop in Florence.
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