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i) Focus and contemporary film style. Shallow focus, blur, lens flare and micro close-ups are increasingly prevalent in contemporary film. Films such as Wuthering Heights (2011), American Honey (2016), Revenge (2017) and Madeline’s Madeline (2018), for instance, all make extensive use of such devices – though they can be found in many ...
Jul 3, 2018 · Open access. Published: 03 July 2018. A psychology of the film. Ed S. Tan. Palgrave Communications 4, Article number: 82 ( 2018 ) Cite this article. 169k Accesses. 28 Citations. 66 Altmetric....
- Ed S. Tan, Ed S. Tan
- e.s.h.tan@uva.nl
- 2018
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Overview. Authors: Phillip Novak. Argues for more attention to be paid to the interpretation of individual films and for the value of such work. Explores the history of four influential film journals. Offers extended analysis The Graduate, Red Desert, Chinatown, and Memento. 4268 Accesses. 8 Altmetric. Search within this book.
- Phillip Novak
Aug 29, 2007 · Its maker, Robert Le Prince seems to have been the first person to make a film as we would define it: flexible film running through a camera and recording a strip of images in real time. His surviving films were all shot in October of 1888, which is earlier than anything else I know of. “Roundhay Garden Scene” is one of those films ...
May 14, 2024 · Film Journals. Journal of Film and Video - History, theory, criticism, and aesthetics in film production. Adaptation - An international forum focused on literature on screen. Bright Lights Film Journal - One of the most read and respected online movie journals.
- Winifred Metz
- 2017
Apr 6, 2016 · Brian Tallerico April 06, 2016. Tweet. Roger Ebert is often cited as one of the best film critics of all time, but he regularly expanded his writing to include much more than just movies, especially in his later years, when his journal became as essential as his weekly missives on the latest Hollywood blockbusters.
May 1, 2008 · Share. Issue Section: Articles. Here are two obvious and widely known facts about one way films are made. First, many films are made by a process that involves two levels of representation. Actors, with the aid of sets, props, and perhaps some live special effects, act out the events the film seeks to narrate.
