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      • Charles Davies Lederer was an American screenwriter and film director. He was born into a theatrical family in New York, and after his parents divorced, was raised in California by his aunt, Marion Davies, actress and mistress to newspaper publisher William Randolph Hearst.
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  2. Charles Davies Lederer (December 31, 1910 – March 5, 1976) was an American screenwriter and film director. He was born into a theatrical family in New York, and after his parents divorced, was raised in California by his aunt, Marion Davies, actress and mistress to newspaper publisher William Randolph Hearst.

  3. Charles Davies Lederer (December 31, 1910 – March 5, 1976) was an American screenwriter and film director. He was born into a theatrical family in New York, and after his parents divorced, was raised in California by his aunt, Marion Davies, actress and mistress to newspaper publisher William Randolph Hearst.

  4. Charles Davies Lederer (December 31, 1910 – March 5, 1976) was an American screenwriter and film director. [1] . He was born into a prominent theatrical family in New York, and after his parents divorced, was raised in California by his aunt, Marion Davies, actress and mistress to newspaper publisher William Randolph Hearst.

  5. Kismet is a musical adapted by Charles Lederer and Luther Davis from the 1911 play of the same name by Edward Knoblock, with lyrics and musical adaptation (as well as some original music) by Robert Wright and George Forrest. The music was mostly adapted from several pieces composed by Alexander Borodin.

  6. Charles Davies Lederer (December 31, 1910 – March 5, 1976) was an American screenwriter and film director. He was born into a theatrical family in New York, and after his parents divorced, was raised in California by his aunt, Marion Davies, actress and mistress to newspaper publisher William Randolph Hearst.

  7. Charles Davies Lederer. Birth Place. New York City, New York, USA. Born. December 31, 1906. Died. March 05, 1976. Biography. Read More. Former journalist who turned to screenwriting in the early 1930s and often worked in collaboration with Ben Hecht (e.g., "His Girl Friday" 1940, "Kiss of Death" 1947).

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